The (Shameful?) Author Questionnaire

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

Shortly after I signed my book deal with Crown back in February, I received a long document of questions from my editor, running from the mundane (name, address) to the philosophical (“What is your book about?”) to everything in between. When I double-clicked, I was filled with the same dread I remembered feeling back in 2003 when I encountered my first Author Questionnaire, but for different reasons. Back then, I didn’t “know” anyone. I hadn’t gotten my MFA, and so I felt I had no “connections.” The internet was still, to some degree, a new frontier, and aside from knowing I wanted a website, I really had no idea how I’d be able to get the word out about myself. In other words, I felt I had no agency.

(Me then, at the beginning).

This time around, it felt as though I have too much. Too much memory, too much disappointment, too many clippings, too many fliers from too many readings. What I felt, as I began to think about the Questionnaire this time around, despite my joy at having sold Bittersweet, despite a renewed belief in my career, was deep shame. The bad sales of my second book, Set Me Free, especially, had been (and still was) such a heartbreak that I realized, as I started to dig up old files, that I didn’t even have any copies of the three reviews written about it (if Publisher’s Weekly counts as a “review”).

To clarify: I’m not ashamed of any the reviews I received, even if some of the them were less than stellar. And I’m so appreciative of the little bit of ink both of my books got. So I couldn’t figure out what my problem was! What I began to realize as my palms began to sweat every time I thought about filling the damned thing out, was that I’d internalized so much shame about how my books had performed, that I’d completely forgotten to be proud of the fact that I’d written and published two books in the first place.

Still, realizing that didn’t change much. A few weeks after getting this year’s Author Questionnaire, I answered a few of the questions I felt confident about (my name, and what Bittersweet was about, both seemed like firm terrain), and wrote some vague answers in the other areas that felt a little more shaky (“Please include any reviews you’ve received for previous books”). I emailed it back into my editor and told myself I’d revisit it “later on.”

Time moves on apace, and with my first meeting with my publicity and marketing team looming, I realized last week that now was that “later on.” It was time to bite the bullet.

I told myself the truth: that in order to embrace Bittersweet’s great future– and my future with it– I was going to have to take a good hard look at my past. So I dug up old files, and I scanned them and added them, and I dug up old contacts, and, through remembering all those amazing adventures my early publication life had brought me, I allowed myself to remember how much I love being a writer: doing readings, meeting readers, hearing the ways in which my books have (briefly) touched others lives.

And I realized that most of why I’d been feeling so much shame about the last time I did all this is that I love it so much that I was terrified I would never get to do it again. Until I sold Bittersweet, I had believed that my career was, in fact, over.

Twenty-seven pages later, I’ve written down all I can remember about who I was then, and all the adventures I went on, and also– much more important, I think– all that I believe, and hope, lies in front of me. Uncovering my fears made me feel brave to write down everything I dream for my future.

I just hope the folks at Crown don’t balk at the page count!

They’re Making Bittersweet In Other Lands!!!

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

Breaking news! See up there? On the top right shelf, in red (my favorite color, no less)? It’s the British ARC of Bittersweet, which will be published by the Borough Press!!! Looking forward to getting my hands on the actual, physical book soon!

Sometimes Book Promotion Can Feel Like Stalking

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

I’ve spent part of the last week putting together an excel spreadsheet of “like” authors, that is, authors and writing peers whose written work and online presence I aspire to emulate. This involves, essentially, stalking that given author online: googling them, and clicking through every page that comes up, and making a spreadsheet of every example I can find of who this author has written for, what online presence they’ve built for themselves (eg Twitter, website, etc), and who has written about them or reviewed their books:

In the case of Jami Attenberg (hey, Jami! I swear I’m totally non-threatening), I’ve learned a lot. She’s got a big online presence, between her website, Tumblr, Facebook and Twitter. She’s written about her book extensively, but she’s also done something nice and tricky, which is to write for Oprah.com about turning 40, and Elle about her cowboy boots, and the NY Post about what’s in her library. On the surface, these topics don’t seem to have much to do with her writing career, except that they reach out to her readers and say “hey, I’m cool, and oh yeah, by the way, here’s my bio that includes information about my books.” I bet that snags her a lot of readers who enjoy her column in the magazine and come to her books through that portal.

I’ve also noticed a lot of trends in doing this research- many writers I admire have written for The Rumpus and The Millions, both places where I haven’t made any connections yet. So that probably means I need to introduce myself and figure out how to contribute to those communities so that, down the line, I can make a bit of a writing home there.

This work is not especially fun on the surface, but once you get over the spreadsheet aspect (and feeling like a creepy stalker), you actually start to find out a lot about where you might find welcome reception to news of your book. The tricky part is this work is never done; I could probably spend the next twelve days doing this work, and still not feel done. I’m definitely not going to do that. So I’m not going totally stalker crazy, at least not yet.

I Went Inside A Book Publisher, And This Is What I Learned.

What happens when a publisher invites their authors in and does a day-long session on how to best use digital & social tools to engage readers? Well, let me tell you.

This week, the good folks at Abrams invited me to speak at their Digital Day for authors. It was a lovely event that included a wide range of authors – from icons in their industry to first time authors awaiting the release of their book.

Okay, let’s take a tour:

Many of the hallways are lined with shelves of books, some with dire warnings:

Publishing is indeed a labyrinth filled with danger. Not sure you can see it here, but there is an extreme hump in the floor here that is totally unmarked. I tried to look cool as I tripped over it.

Navigating this place took all of my skills. Notice the strange angled hallway that cuts down the middle. Why? And I wonder who got stuck with that small triangular office:

Okay, let’s get to the main event – AUTHORS!!!! Yay!

This is the moment when my heart skipped a beat – Stefan Sagmeister! In person. Here! In front of me. And in front of bagels! Doesn’t it look like he just stepped out of a Tardis?

Abrams CEO Michael Jacobs welcomes everyone:

Abrams’ Director of Digital Marketing Jeffrey Yamaguchi is the mastermind behind the event:

And here is me presenting! Photo by Thyra Heder.

A discussion among the authors.

Coffee, coffee, coffee!

I have to say, the signage at the event was AMAZING. This is (seriously) often overlooked by organizers. The only disappointing part is that there were no hashtags in the bathroom itself.

Here is Tumblr’s Rachel Fershleiser sharing examples of literary culture on the social web.

And can we just zoom in on this amazing jacket for a moment?

Nothing – NOTHING – makes authors happier than free food:

And yes, I am the type of person that stands behind photographer Bob Gruen and takes a photo without his knowledge. I’m sorry. But it’s BOB GRUEN!

So what did I learn from this event? A few things:

  • Jeff made a great point about “IRL” or “In Real Life” – and how important it was to forge relationships. Love that. Life is more than a series of Tweets.
  • Even though everyone in attendance likely has some introverted tendencies – they all showed up, took time away from their otherwise busy lives, and engaged with total strangers about their hopes and their challenges.
  • Jeff, Rachel, and the other speaker (not pictured) Ami Greko shared WONDERFUL examples of real authors engaging with real readers in ways that were deeply meaningful to both.

So excited to have all three of these folks speaking at my online conference on Nov 13th and 14th: Get Read: Marketing Strategies for Writers. Register here.

Thanks!
-Dan

The & Sons Book Trailer

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

As Kai and I edit my book trailers, I’ve been looking at a lot of other book trailers for a sense of how they got across the essence of their novels. There’s a wide range of styles (and, I imagine, successes) out there, probably. I think most authors have a hard time knowing how to best pitch their own books to a viewing audience, or what would go “viral.”

But this trailer, for David Gilbert’s & Sons is tongue-in-cheek, intriguing, and sports a cameo from Brooke Shields.

It made me ask: what is this book about? I wanted to read it to find out.

Over the weekend, I read & Sons, about a reclusive, curmudgeonly, Salinger-esque writer named A.N. Dyer and his relationship with his sons and the other men around him. The book plays with the idea of the myth of the father, and the trailer plays on this idea– the mythology of a Great Man.

David’s also got a page on his website sporting the “body of work” of A.N. Dyer, which I imagine must have been very fun to create.