How to Create Word of Mouth Marketing For Your Books? Be Awesome.

More is better, right? We should all desire a bigger audience, right?

Wrong.

Again and again, we hear evidence that “word of mouth” is the way that people hear about books. So let’s think this through: how do you create more word of mouth marketing around your books?

Is it you sending dozens of Tweets each month promoting your new book?
Nope.

Is it by friending hundreds of people on Goodreads for the sole purpose of hoping they magically check out your books?
Nope.

What about giving stuff away, that is totally how to create a loyal readership, right?
Nope.

How do you create word of mouth marketing? By delighting the readers you already have.

Consider it this way: why try to get a bigger audience when you have not yet developed the capacity to best serve the readers & audience you have right now? That’s right, “engagement” and “retention” are skills that you can develop.

What I see all too often is writers judging success and the relationship with readers as something that begins and ends with the sale of their book. That the $10 transaction is the culmination of your effort with readers. And that’s just silly.

Let’s look at a scenario in the business world:

  1. A company (such as a bank or phone provider) offers you an amazing deal to become a customer.
  2. You sign up, and once you become a customer, you find their customer service puts you on hold for 30 minutes when you call, they hit you with fees you weren’t aware of, and provide few options for more flexibility around your account.
  3. So you threaten to leave them, and suddenly, they offer to upgrade you.

This is a company focused on growth alone, putting less value on satisfaction of their existing customers. They offer you incentives to join, don’t treat you especially well when you do sign up, and then only worry about retaining you as a customer when you threaten to leave.

This is a huge problem, even at the business level. It is SO HARD to get a new customer, or in your case, a new reader. Sales teams often come up with exact dollar amounts it costs to get a new customer and set their marketing dollars based on this. For instance, they may determine that the lifetime value of a customer is $1,000. So in the example above, they have worked out that if I sign up for their cable service, based on their averages, I will give them $1,000 before I move or switch to another provider. So when they determine the marketing budget for new promotions and ads, they ensure that it costs them anything less than $1,000 to get me as a new customer. That’s why you see these companies spending millions of dollars on marketing – they have done the math.

But retention is often overlooked, even though it can be cheaper than getting a new customer.

In other words, the value of engaging your existing audience – of delighting them, of making them feel so special to the point where they can’t help but talk about you and your work – that is a much better value proposition than just spamming the world looking for new readers.

This is the heart of word of mouth marketing: just be awesome.

(credit: John & Hank Green have made the phrase DFTBA or “Don’t Forget To Be Awesome” a catch phrase in their community.)

This is why I get skeptical of articles or programs promising to get you 1,000 more Facebook fans, 50 more Goodreads reviews, or 200 more Twitter followers. The number sounds big, so we assume that is good. But who are these people? And more importantly: when you take the easy road to a vague and distant “large” audience, you have never developed an understanding of how to serve them, delight them, and make them feel good about talking about your work.

Are you a writer who is afraid of becoming a “marketer” who annoys people? Then instead of spamming people, focus on treating your readers as the most special people in the world. Even if you think you only have a small audience of 10 or 20 readers. Find ways to delight them.

I have been putting together an online conference focused on helping writers “Get Read” – to find and engage their ideal readers. In developing the program, I find myself focused very much on the ideas of retention and word of mouth marketing.

That there is an important skill to be learned on how authors can create a delightful experience for readers, for librarians, for booksellers, for reviewers, for publishers, for agents, for everyone in the publishing process. And that this is wildly more meaningful than pretending that some arbitrary number of twitter followers is even remotely useful.

At the event, you will hear from people deep in the trenches of publishing about not only what sells a book, but what delights a reader.

To hear more about the event, and join us, click here.

Thanks!
-Dan

I Give You… The Bittersweet Cover!

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

Today I got the front and back jacket design for the ARC’s of Bittersweet. I’m so in love with how this book looks, so in love that, completely alone in my house, I purred “I LOVE YOU” at the screen. Yes, that’s embarrassing.

There are so many difficult moments in the marathon of publishing a book; it feels fantastic to just experience a purely celebratory moment.

And then I realized that even though the cover is already up on Goodreads, I hadn’t officially announced it! So here’s the cover of Bittersweet. I hope you love it as much as I do!

Polishing the “Author” in Author Platform

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

I had a rough spring, and I spent the six months since not taking especially good care of myself. A french-fry became a large order of fries; one glass of wine every few dinners became a glass or two every single night. Now, I’m all for eating my feelings- I actually think it makes a lot of sense to nourish yourself when you’re feeling sad- but it was time to draw a line in the sand.

So I’m in my third week of Body Back, a combined exercise/ nutrition program run by my friend Anna Catherine through her Brooklyn Fit4Mom franchise. I’ve got five and a half weeks to go, and I’ve never exercised so hard or eaten so well as I am right now. I’ve also never felt better, or more confident, or prouder of who I am. Food tastes good again. And when I walk into a room, I’m smiling.

Feeling this way has gotten me thinking about how any of us who are “public” figures lead with our selves. It’s easy to slap on make-up and a nice outfit and smile, but I’m starting to realize I’m finding it rewarding to imagine coming to a reading, say, not with the sense that I’m tricking everyone who’s there into thinking I’m something “better” than I am, but with a real sense of confidence that I’m bringing my best self to the table. This change is internal. For me, it’s about owning what I’m disappointed about (or ashamed of), and doing something about it, so that I can feel genuine about my love for myself.

The line between personal and professional is very thin in the writing realm. People want to know “you.” I used to believe such a link between book and writer was hogwash; that a novel is written to exist separately from the person who wrote it. In an ideal world, that is the case, but we aren’t living in that world.

I want people to read my book. And I want to be proud of myself. As we get closer and closer to the publication of Bittersweet, I’m feeling good about knowing a little more about who I am, and what I’m capable of. I can’t help but think that will make my connection with readers that more genuine, because it’s honest and so much more interesting than perfection.

Getting Back on Track with my Author Platform

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

I’m learning that it’s always going to be easy to shove this author platform stuff to the side.

First it was the final draft of Bittersweet (July/August). Then it was the copyedits (early September). Then it was the four theses I had to read and comment on for Columbia (late September).

It’s not as if any of those tasks count as procrastination- they are definitely work! But I’ve noticed that because they take up so much time and energy, they are easy to retreat into and to use to justify my avoiding self-promotion (and those projects I’ve wanted to take on because I believe they will ultimately benefit my author platform). Even my blogging here has taken a hit.

Now that I’ve gotten the major tasks of my fall out of the way (at least as far as I can see, although I know there will be a first pass on the manuscript, and there will be unanticipated tasks as well), and before I start writing my next book, I’ve decided I need a more concrete schedule, so that I require myself to get done what I must, especially on this author platform stuff.

I have four full workdays a week. On three of them, I have the house to myself. The fourth day, the kiddo and the husband are home, so I have to barricade myself upstairs if I’m going to get anything done. I love Joyce, the coffee shop around the corner (where I wrote most of Bittersweet), but I can’t spend all day there, especially now that I’m trying to eat something besides butter and flour all day long.

So, my proposal to myself is a minimum of 2 morning hours, at home, to do creative work. These two hours will start my day off, and be spent in guilt-free pursuit of my actual writing. After that, I’ll have lunch here at home, and then I’ll head out into the world (aka Joyce) for at least two hours of author platform work. What will that work consist of? To name a few ideas:

– Solicit entries to FriendStories- reaching out to friends, colleagues, and others I believe might be interested in contributing

– Study the online presence of other writers I admire/ consider colleagues to get a clear sense of what I want my author presence to look like

-Research online platforms I’d like to become involved in/ write for with an eye toward promoting Bittersweet

-Redesign my website with a new bio, design, etc.

-Write pieces that I’d like to submit to online and print outlets in anticipation of the Bittersweet publication date of mid-May

That’s just to name a few! When I look at all that work like that, I know it’s important, and that I can’t just keep sweeping it under the carpet. I’m doing this author platform work because I believe in it, and I know I have to do it. Now I need to build it into my schedule so that it becomes a habit, and so I can begin to embrace it as part of my everyday life.

 

From Acknowledgements to FriendStories to Writing Another Book

This is part of the Bittersweet Book Launch case study, where Dan Blank and Miranda Beverly-Whittemore share the yearlong process of launching her novel. You can view all posts here.


by Miranda Beverly-Whittemore

1) My copyedit is finally into Crown! I’ll still have a couple chances to glance at the typeset pages, but that was my last pass on making any substantive changes. I also got to write the acknowledgements which is one of my favorite parts of writing a book. It’s so moving to look back at all the people who’ve helped me along the journey, not to mention all those people who I know will be helping me in the year(s) to come. There are moments when it feels so lonely writing a book, and it’s a good reminder that you’re not alone!

2) I’m loving the new look of FriendStories. My goals this week are to reach out to a handful of writer friends to solicit some FriendStories for them. Would you like to be included in this exclusive first pass? If so, please let me know. I’m so excited to expand this project and I can’t wait for some other voices.

3) Now that the copyedit’s in, I’m starting to feel my mind drift to that sweet place of the next book. It’s all puppies and rainbows right now, a dream book in which I won’t write myself into any corners or face any thankless workdays. I’m going to enjoy this rosy-colored view while I can.

4) In the meantime, I’ve got Columbia theses to read, a personal website to redesign, FriendStories to scheme about, and all the other stuff life is throwing at me! I think I’m going to go take a shower.