My In-Depth Review of the 99u Conference 2013

I just returned from the 99u Conference in New York City, whose goal is to share “pragmatic insights on how to push great ideas forward, create incredible art, build businesses, and change the world.” Today I want to analyze what I thought of the event, and in general, what I look for in a great conference.

Return on Investment
I work with writers, and go to a lot of publishing, writing, and media conference. I am in the fortunate position to speak at many of those conferences, so I always get a free ticket into the event. What this means is that for 99u, I paid the $1,000 ticket price. This was not an easy decision, and even in the months after I purchased it, I wrestled with guilt that perhaps the money could more directly help my business if put elsewhere.

In general, I tend to feel that many conferences play to the attendees who will expense the ticket, they don’t pay it themselves, their employers do. This goes for big corporations as much as small design firm of 10 or 30 people. I run my own company which is three years old, and I am the sole supporter of my family. So $1,000 really means something in that regard.

The other investment is time. It meant that I was taking off two days of work, and shoving everything important into the earlier part of the week. This adds stress, to a certain degree.

So when I consider return on investment, I was looking for practical takeaways that would truly help me grow my company and ensure I was providing deeply meaningful value to those I serve.

Let’s Talk About Clichés
Clichés suck the soul out of conferences. Yes, I realize clichés exist for a reason, and I will explain more on that below. But clichés have to be the jumping off point to a conversation, not the goal. So if someone says “The more you give, the more you get back,” then I want to hear specific examples of how that happened in their career. And I want to hear about the scary parts of that process.

Likewise, I think vague models often act as clichés. So when someone shows you their “perfect process” in some kind of diagram. This can go two ways:

  • They can explain it in vague ways that sounds good, but really offers you no first step.
  • They explain it in ways that are ultra practical. It gives you first, second, and third steps.

So an example of vague models would be this advice from Yoda:

“Fear leads to anger, anger leads to hate, hate leads to suffering.” Why does this model not work? Because each word is interchangeable and works however you order it:

“Fear leads to anger, anger leads to hate, hate leads to suffering.”
“Anger leads to fear, fear leads to suffering, suffering leads to hate.”
“Hate leads to anger, anger leads to fear, fear leads to suffering.”

They all sound fine and smart, but the ordering doesn’t really give you a practical first step forward.

So if you are going to present a model about creating an amazing product/service or how to best help your clients/audience, then I want it to make sense in a way that measurably changes my work week. That you don’t just say: “Listen. Build. Do.” but that you REALLY dig into how to do each step, what the risks are, and how you hacked through system and after system before you landed on this one.

Likewise, there can be words that pop up such as “greatness” or “extraordinary.” It is so easy to say these words, and expect applause. But these words are meaningful because they are difficult to really execute on. And for this audience – an audience of doers and makers – it is not enough to have bold ideas, but to understand how to realize them. In practical, everyday ways.

How I Measured Value
The one thing I was NOT measuring value on was how inspired I felt. 99u differentiates itself by this quote from Thomas Edison: “Genius is 1% inspiration and 99% perspiration.” They are about “Making Ideas Happen.” So, while funny or inspiring talks make me feel good, so do the archive of TED Talks online.

Instead, these are the things I wanted to walk away with:

  • Understanding – specifically – how a successful creative person went from being an individual with a good idea and motivation, to actually building their product/service/company/idea in practical steps. As I mentioned, my company is three years old, and I have been unbelievably lucky in that time. My company is doing well. But I also work very hard, and am wondering, how can I build up momentum? How can I evolve? How can the company be more than just me?
  • Processes. This is where we go beyond the clichés. The conference – like all conferences – was filled with them. I am TOTALLY okay with that. It is what comes after the cliché that matters. So when someone says “Hire Only A-Players,” that is a cliché that oftentimes ignores that challenges of such a vague missive: how do you do that on a budget; what about hiring for roles that require strict rule following; how to do that in a competitive job skill and/or region; how to find these people and negotiate with them; how do you integrate a team of A-Players so they work together? etc.

    The best sessions of the conference were the people who shared their specific processes for doing these things. If they said “Create a Minimum Viable Product” (which many attendees said), the best speakers took you through examples of their specific process to do so. They didn’t tell me stories of how others did it, pulling from easy-to-Google Apple examples, but the sloppy, confusing, scary stories of what they did, and what they do every day.

  • Clear ideas about where to focus, but also what to ignore. How often have you walked away from a great conference with stacks of Powerpoint decks, but fall right back into your same routine. What I wanted from this was polarization. Whether they were new ideas or not, I wanted to have a clear sense of what to focus MORE energy on, and what to cut away entirely.
  • Connections to other attendees. This is obvious for any conference – the reason to show up is the people, not just the information. This is especially so in an age where many of these talks will likely show up online for free eventually. One of the reasons I spent $1,000 for this conference is that I felt the mission of 99u would ensure that it was an audience of people truly in-the-trenches trying to build something as I was. Not just passionate, but people with digital dirt under their fingernails.

    This did prove to be the case, although I found there is never enough time to socialize and meet as many people as I would like. But those I did talk to were wonderful, and it was not uncommon for each of us to say “we should talk more about this…”

At the beginning of the conference, 99u posited a very similar set of goals:

99u Conference

What Made a Great Session:
Some sessions at 99u were amazing. They delivered on everything I hoped for. Others were not. I want to avoid naming names because I ABSOLUTELY RESPECT EVERY SPEAKER FROM THIS EVENT. If I didn’t feel I got value from their talk, that does not indicate I don’t appreciate them. Every speaker is accomplished in ways I can only dream about.

Okay, these are the two parameters that defined great sessions for me:

  1. Sharing their actual process that they use every day to create value and solve problems. I wanted to know things such as: how do they onboard clients; how do they create a minimum viable product; how do they figure out their pricing; how do they measure value of not just people will pay for, but what the world needs; how they deal with the emotions on the long road of trying to succeed; how do they hire, and when do they NOT hire; what documentation do they provide to clients; how long are their engagements; how do they differentiate themselves in a crowded marketplace; how do they organize teams; how do they choose when to partner and when to build in-house; etc.
  2. Original research and original experience. I didn’t want to hear stories of others, I wanted to know specifics about what they learned, how they learned it, and how that helped them evolve. If they said a cliché, I wanted them to back it up with research data or with a very specific story about how it played out in multiple scenarios for them. Inherent in this, for me, is often identifying the pain points: the stress/anxiety/risk of such scenarios. In other words, saying “Hire Only A-Players,” and then saying “And we have an amazing team of developers,” doesn’t cut it for me. Because I can’t do anything with that.

Sessions I Loved And Why
These three were my favorite sessions:
99u Conference
This is Jane ni Dhulchaointigh, inventor and CEO of sugru. Her talk was the only one to get a standing ovation, and to me, this is the reason why:

Jane’s talk celebrated what her users were able to create, not what she herself or what her product created.

Her story was incredibly powerful and one that tends to resonate with me: YEARS of struggle to try to not just understand and frame her idea, but actually bring it to fruition. She talked about the dead ends of trying to partner with large companies, last ditch efforts to make things happen, the credit card debt, failed experiments, and the value of friends and family. It was an emotional talk, but one filled with practical lessons.

99u Conference
Aaron Dignan, CEO of Undercurrent did a longer “masterclass” on the topic of digital strategy. He provided example after example from his own experience, provided a model for how he works and kept taking us through it from different angles, and had incredible enthusiasm for creating. Super smart guy, but also very down to earth and giving. I took 1,500 words of notes from his session alone.

99u Conference
Michael Wolff, founder of Wolff Olins. Even though his experience is almost legendary in the branding world, he went places no other speaker did. First off: he was unbelievably humble. Second, he illustrated the value of questioning in such deep ways. When listening to him, I really got the sense that he, as a designer, sees the world differently. And in doing so is where you find the opportunity for amazing work. Wholly inspiring, but also very very practical.

Besides those three, there were other wonderful speakers and takeaways. Some highlights:

99u Conference
It wasn’t a surprise that Brené Brown gave a moving talk. There is so much to appreciate about what she shares, but this slide speaks to the place that I resonate with as you try to create something: fear, self-doubt, comparison, anxiety, uncertainty. Many speakers skip over these things as they share their stories of success. Brené doesn’t only share her research, she makes it deeply personal. And to have her open the event was a brilliant move.

99u Conference
Here Cal Newport shows you his notebook for managing time via time blocking. Another person who had a great mix of research and practical advice on how to apply it.

99u Conference
I love this chart from Joe Gebbia from Airbnb – which illustrates the long slog to success. He talked about the specific things they did to try to get the needle to move.

99u Conference
Here Joe shows us how Airbnb uses storyboarding. This was the kind of practical look behind the curtains I was hoping for.

99u Conference
And here Joe gives us a brief exercise to fill out that he does with his own employees.

Other Tips
These were other things I did to try to make the conference a valuable experience:

  • Go with friends. When I signed up for the event last October, I made sure to tell some close friends about it. In the end, I spent a lot of time my friends Christina Rosalie, her husband Todd, Edward Shepard, Gabriela Pereira, Cynthia Morris, and Scott McDowell, all who I knew would be there.
  • Be able to clearly answer this question before you walk into the conference: “What do you want out of this conference?” I thought long and hard about this, as I try to illustrate in this very post!
  • Take copious notes. I ended up with more than 5,000 words to dig back into.
  • Walk up to strangers and talk to them. Again. And again. That’s not easy for most people, including me.

Other Experiences
The conference offered a variety of experiences other than just the main stage, including master classes, off-site visits, mentoring sessions, as well as parties and breaks. It was held at Alice Tully Hall, with the after-party at MoMa. Really, you couldn’t ask for greater venues.

My Real Conclusion on Value
Was the conference worth it? I took more than 5,000 words of notes that I have to parse through still. Overall, I think these are the two ways I will know:

  • Only months later, to see what I IMPLEMENTED based on ideas from the conference, not how inspired I felt the day after.
  • If I would spend another $1,000 (or more likely $1,200 ticket if they raise the price) for the 2014 99u conference. I know a couple of people who went to the 2012 conference and raved about it. But they didn’t attend this year. That says something to me. Likewise, I have had friends rave about other specific conferences, that they were wonderful experiences; BUT that their company and processes were no different 2 months after the conference than 2 months before it.

Thank you to the team at 99u and Behance for the event, especially Jocelyn K. Glei, Sean Blanda, Scott Belsky, and Matias Corea. I know so many others helped create this event, somewhere around 100 people, but these are the names I know.

Here are more photos from the event:

99u Conference

99u Conference

99u Conference

99u Conference

99u Conference

Thanks!
-Dan

5 Reasons RELATIONSHIPS Are The Core of Your Author Platform

Authors are drowning in “information” – in advice on what else they need to be doing besides writing. You are likely familiar with this list:

  • Be on Twitter…
  • And be on Facebook, they have billions of users…
  • Get on Pinterest because it’s huge now…
  • And be on Tumblr, all the kids are doing it…
  • Definitely do a blog tour around your book…
  • And create a book trailer, it could just go viral…
  • Blog…
  • And guest blog on other people’s blogs…
  • And try to become a blogger for Huffington Post…
  • And submit excerpts of your work to Wattpad…
  • Obsessively engage with readers on Goodreads…
  • Buy Google ads sending people to your Amazon page…
  • Play around with the pricing of your ebook…
  • Speak at conferences…
  • And speak at libraries…
  • And speak at bookstores, if you can find one…
  • Do a Google Hangout with readers, or a Shindig…
  • Oh, you are on Google+, right? It’s the next Twitter.
  • You vlog, right?

… and of course: write the best book you can.

This is not even mentioning other aspects of publishing: whether you are going the traditional route (creating a book proposal, querying, landing an agent, landing a publisher, publicity, and preparing for launch day), or the self-publishing route (a million other small decisions), and that in all likelihood, you have a family to attend to, perhaps a day job, a home to maintain, hobbies, and you know, you need to sleep. Yes, that is a run-on sentence, and it barely fits in all the things writers are told to concern themselves with nowadays.

The problem here is that these are THINGS; these are tactics. And while each may indeed be instruments to your success as a writer, they are not the point.

The point is your writing, and how it connects with readers.

I work with writers to help address the craft of developing their writing career – how they connect with readers and ensure their books get read, not just published. To me, an author platform is about two things:

  1. Communication – how you connect with a reader in a meaningful way.
  2. Trust – how you find alignment with them – that your purpose for writing directly relates to their needs and passions.

The key to this is relationships. This is not about “selling a book” or “leveraging Twitter,” it is about the experiences we create with each other around your writing. Sometimes these are very direct relationships, other times the are more implicit.

When you develop a relationship around your writing, you are doing several things:

    A Relationship is a renewable resource

  1. A Relationships Is A Renewable Resource that give back again and again. Of course, you must truly invest in a relationship too, giving as much, or more than you receive back.

    But unlike some marketing tactic, a relationship is complex and fuels us on so many levels. Someone you form a relationship with can be a lifelong mentor, they can encourage you in that moment you need it most, they can provide deep insight, or harsh but needed feedback.

    Relationships are also exponential. Inherently, one person connects you with another, then another. A relationship is a gateway drug to more amazing relationships.

    A Relationship is at the heart of how we create meaning and experience

  2. A Relationship Is At the Heart of How We Create Meaning and Experience
    While we strive for accomplishments in life, it is people who add the meaningful context to them. If and when you become successful, it will be because of so many others helping you along the way. Sure, you may receive all the glory, but the reality is that it will be on the shoulders of others.

    This is more than just some kind of mercenary exchange – this is the meaning in life. That you connected with someone on a deeper level; that you helped each other out; that you went through an experience together.

    When you look back sentimentally on different periods of or accomplishments in your life, what do you remember? Oftentimes, it is the people, the conversations, the deep human connections. You remember moments that perhaps seemed ordinary and insignificant at the time, but became the memories that float through our minds decades later.

    How You Connect With Others Is As Important As Who You Connect With

  3. How You Connect With Others Is As Important As Who You Connect With
    Boy, am I tired of the term “influencers.” This term has become shorthand for “leveraging” other people’s popularity and trust with an audience. It is often done with a smile and a handshake, but there is often a calculation involved. For example, an author determines who to connect with based solely on how many Twitter followers that person has. The idea being that if this person ReTweets them, it increases exposure.

    But the opposite is what often fascinates me: the people who connect based on true alignment, not a calculation of “influence.” People such as Barbara Vey who connect with people who love to read because she loves to read. Or Betsy Bird who connects based on enthusiasm for children’s literature, not based on a person’s CV. Or so many authors I have had the pleasure of knowing who measure how good the connection to someone feels, not what the possible return-on-investment may be.

    This is the choice we have. HOW we connect with others, not just what we do in terms of which social network to use or if we add a “Pin This!” button to our website. The path of publishing is really filled with conversations and relationships, not technology and marketing tactics.

    Word of Mouth Is Not Marketing

  4. Word of Mouth Is Not “Marketing,” But Rather: Communication
    Again and again we hear that despite the way the web has changed things, “word of mouth marketing” is still the biggest way that people hear about books. Goodreads recently released survey data that supported this:

    Goodreads survey

    Word of mouth marketing begins and ends with people, not marketing campaigns or publicity. When someone recommends a book to a friend, it is about trust and communication, not “marketing,” whereby they are targeting people strategically to increase sales of a book.

    Social Media Is People

  5. Social Media Is People!
    One of my favorite movies is Soylent Green, and (spoiler alert), the big reveal at the end is this phrase: “Soylent Green is People!” While less grotesque in it’s meaning, I think we often forget that social media is people.

    We instead focus on the tactical nature of buttons and features. We think that adding a “Tweet this” button to our website or using Tweetadder is how to “win” at social media. We hope to go “viral” as if it is a thing, not an action.

    While social media trends will come and go, the people will remain. Myspace came and went, and yet, the people and relationships remained. The same with Friendster and Digg and so many other (nearly) defunct social networks.

    The people are the constant – and the real meaning – not the technology of the social network itself.

Thanks.
-Dan

Anxiety & The Creative Process

I shared a post on WriterUnboxed.com about anxiety and the creative process:

“People will do anything to alleviate their anxiety.”

This is a quote from a recent episode of Mad Men, that to me, underscores the everyday context that no one talks about publicly.

I work with writers, and find that anxiety is a very real and very constant part of their lives. Why? Just a few reasons:

  • The act of creating and publishing invites judgement, especially self-judgement.
  • Being a writer is often a new identity that one carves out for themselves, while everyone else around them clings to other ways of labeling them: mother, spouse, colleague, sister. They don’t easily accept defining the writer as such.
  • The “return on investment” of writing breaks traditional models. We do it for so many reasons, but the common reward of money is rarely the primary driver.
  • There are so many decisions involved in being a writer. First, with the process of writing and editing, then the process of choosing how to publish, and then the process of finding and connecting with readers. Each is not one step, but 1,000 decisions. None of which are clear from the start.
    This is, of course, not exclusive to writers.

But what I find again and again is that we don’t talk about our anxiety. We don’t admit that we have anxiety. We don’t talk about how crippling it feels. That it can bathe one’s days and nights in a foggy cloud of uncertainty and panic. That we make decisions out of fear that stems from anxiety, not because they are the best things for us.

Our anxiety is often hidden, masked behind common expressions, and simplistic answers to the question, “How are you doing?!” And when we express the anxiety to friends or colleagues, it is often explained away with simple solutions to complex problems. You get responses such as “Ah, don’t worry about it,” or “You are doing great, you worry too much!”

Our anxiety is always relative, and truth be told, sometimes other people’s anxiety can seem insignificant on the surface. When someone expresses that they don’t know whether to self-publish or not, or they are nervous about a book reading, you rarely feel the depth of their anxiety. To you, it is a logical decision, and one that likely won’t have crushing ramifications one way or another. But to the person with the question, they can get lost in the internal debate in their head, where all potential success as writer hangs in the balance.

Read the full post here.
Thanks.
-Dan

Why You Should Keep Blogging

Today I shared a guest post over on Jane Friedman’s blog: 2 Strategic and Compelling Reasons to Keep Blogging—Plus When to Kill a Blog. In the post I talk about the long-term value of blogging on growing your audience and establishing your platform, as well as the importance of controlling the message of your online presence. I also share 11 tips on how to re-energize your blog. Check out the full post over on Jane’s site.

Thanks!
-Dan

Writers: Focus on Reader Discovery, Not Book Discoverability

Find your readers. Understand what motivates them to read books similar to yours. Become their supporter, and in some cases, their friend.

The buzzword of the past year or so has been “book discoverability,” meaning that writers and publishers want to ensure that readers can find books. It is perceived as a problem because there are so many books being published each year (between traditional and self-publishing), and fewer channels by which to find books (eg: no more Borders.)

Your stories are worlds that readers jump into, not commodities they purchase

But focusing on book discoverability is a magic pill that will never arrive. Yes, you should optimize your books metadata to ensure it is easier to find in complicated algorithms of Amazon, but beyond that, I think the concept of “book discoverability” focuses on the wrong thing: books instead of readers.

One is a passive action, one is active. One is about talking (e.g., shouting: “LOOK AT MY BOOK!), and the other is about listening (e.g., asking: “So tell me what you love to read.”)

A book is a thing. An object. A file.

A reader is filled with motivations, desires, needs, and complicated ways they align with books to shape their own identity.

Support readers as you hope they would support you as a writer

If you want people to find your book, focus on the latter – the readers, not the books. Focus on this: READER DISCOVERY. Find your readers.

Why? Because this is a constant action that you can take, a process you can develop, and a way of being in the world as an author that constantly connects you to readers.

Recently I was on a panel at the Writer’s Digest Conference East, along with Amazon’s Jon Fine. The first thing I said was that writers need to focus on understanding who their readers are. Out of the corner of my eye, I could see Jon nodding his head – his whole body really – in an exaggerated cartoon-like fashion. To me, this indicates that Amazon can only do so much to “shelve” your book along with millions of others, and catalog it according to proper categories and keywords and other relevant cues. Beyond that, know your readers.

Engage with readers as a fellow fan, not as an author

Eric Ries wrote a book and helped create a movement in the tech startup space with the concept of “The Lean Startup.” The crux of what he focuses on:

Instead of developing your product in secret, optimizing it and trying to make it perfect before a big launch day where you release it to the world, instead focus on developing customers. Understand your target audience, talk to them, learn from them. as you develop your product, constantly put it in front of your ideal audience to gather feedback. Don’t rely on assumptions as to what you think they want, partner with your audience and observe through actions they take what they enjoy and need. Doing so does not just help you develop a better product, but it literally creates a built-in audience as you do so. You develop customers as you develop the product.

This is why I feel the concept of author platform is so important. Author platform is how you develop the craft of connecting with readers. It is a skill that you develop, just as you develop the skill of writing. Few authors start out as extroverts able to chat with fans easily. They learn as they go, just as you can.

Reader discovery is more important than book discoverability

Let’s consider an example of how the reader discovery process works. This year, Hugh Howey became the case study as to how an empowered writer can find their audience, and make an amazing living at writing, publishing and selling their stories. When Hugh published his breakout story Wool, he didn’t know that this would be THE story out of everything he wrote that would take off. He learned this by publishing, sharing, and connecting with readers.

Yes, of course, the first step is to take the craft of writing seriously, create good work, and focus on constant improvement. But Hugh not only connects with his audience, but learns from them. No, he doesn’t write TO an audience, he does learn about them.

Author platform is the craft of you you connect with readers

Knowing who your audience is shouldn’t change your work away from your core vision, but it can help you ensure that your stories reach an audience that cares.

The web and social media offers you amazing tools to learn who your audience is and what engages them. Just as Hugh learns by publishing shorter fiction and then connecting with readers, nonfiction writers learn what engages people simply by blogging. Gretchen Rubin began blogging about happiness three years before The Happiness Project came out. Do you think that three years of engaging with readers helped her understand how to better grow her audience? Yes, that is a rhetorical question. By the time her book came out, she was immediately on the Today Show, Oprah, and hit the New York Times Bestseller list soon after.

Book discoverability is not the problem writers should focus on. Rather, discover who your ideal readers are – this will provide the information you need to grow your platform and audience, and establish meaningful connections with people who love your writing.

Thanks.
-Dan