How to Market and Publish Your Book: The Joanna Penn Interview

I had a chance to chat with Joanna Penn of TheCreativePenn.com, where she shares tips for writers who are looking to publish their work and connect with readers.

In the discussion, we cover a range of topics, including:

  • Why an author platform is essential for most writers.
  • Her experience in publishing her first novel this year.
  • How she manages her time as a writer.
  • That a blog is the most important element of a writer’s online presence.

You can find Joanna at:

TheCreativePenn.com
@TheCreativePenn
Her book: Pentacost (paperback | ebook)

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The Dials, Levers and Buttons of Building Your Author Platform

The difference between a traditional book launch and building an author platform

If you are a writer and want to build a successful career, what options do you have? The above image is an example of how one could look at a traditional book launch vs a writer developing their own platform and marketing channels. There are two ways to look at this:

The good:
That if you choose the bottom box – to build an author platform – you have more levers to pull, buttons to push, dials to tune, and this means you have more options, more chances for success. That you are not waiting for someone else to validate you in order to have the chance to be published, that you don’t just have one 6 week window in which to promote a book that you spent years writing and bringing to publication. The above image looks ‘good’ because a traditional book launch can look like this:

A traditional book launch

That timeline here can be weeks or a couple of months. It has taken years to get to this point – you have slaved over writing the book, worked hard to find an agent, a publisher, and get to the culmination of a long process. At that point, you have a few weeks to try to get good reviews, get the media to notice your book, get placement with book retailers, and find your readership.

For most books, that spike does not represent tens of thousands of books sold. Often it is just hundreds of books, or maybe in the low thousands. Does that spike meet your expectations? If you worked on your book for 5 years, and sold 1,100 books before sales trailed off – is that building the type of career you want?

The bad:
Another way to view the image up top is that when you have more levers to pull, buttons to push, dials to tune – that it’s more work. Most people don’t like that. Most people are already swamped – juggling their writing, their career, family, home, hobbies, and other responsibilities. Maybe they struggled to find time to write, and don’t understand how they can find time to engage with potential readers and build their author platform.

To them, having all of these levers, dials and buttons means that your work becomes scattershot. They prefer a simple, elegant, and powerful solution. They want that first box up top – just flip the one toggle switch, and have magical things happen.

So which side is right here? The one that views an author platform as a wonderful opportunity, empowering writers, or the side that views it as a confusing road that takes one away from their writing?

Honestly, I don’t think either side is right, I think there is merely a difference in attitude. That the writer who sees the opportunity in how the web has empowered them – is one who will do the work to find a way to connect with readers. That they don’t find excuses to avoid connecting with readers and finding an audience. That one’s desire is a primary factor in the outcome – that one has a passion to reach their goals and will leverage any opportunity to do so. That these buttons, dials and levers all represent opportunities that did not exist in the old publishing world. That waiting for a phone call from an agent or publisher is not their entire strategy for the success of their writing career.

Don’t get me wrong – I love agents and publishers – enablers of sharing writing with the world, and connecting people through it. But in a world where LOTS of books are published each year, where nearly everyone is a writer and potential author – having your own writing career depend on a single switch is akin to making a bet.

A bet that in that one moment, that one short time frame in which you flip that switch, that your dreams will come true. This, instead of slowly building your dreams – doing things every week to build your audience and your career over the course of months and years.

A reality for writers is that many people are trying to fill a certain niche with books. There is lots of “competition” – although I hate to think of that word in terms of creative work. But the fact is: you are not the only person writing in your genre or on a specific topic. You may feel that fiddling with all of those dials is not for you. The problem is that – other writers in your field or genre WILL make the time. That they might look at those dials, feel confused and overwhelmed and begin fiddling anyway. Because in fiddling with something new, you learn. This is how you find connections that matter. Sure, you will do some things poorly, but you will also unlock opportunities that propels your career forward.

Overall, this is about expanding the number of options at your disposal. More options to build an audience and connect with others.

This is why I am relaunching my online course: Build Your Author Platform. It’s an 8-week course I will be teaching this summer that takes writers through a structured curriculum, but also offers personalized help to grow their writing career. Click here to sign up for updates as I move towards launch.

Have a great day!

-Dan

Perfection vs Progress

Today I want to talk about perfection, and how it does or doesn’t relate to progress. Each of us are juggling a million things each week, and seeking perfection can often stand in the way of getting things done.

But I often find myself considering the value of focus, or seeking perfection, and of the downsides of what we sometimes call “progress.” If you are a writer or a publisher, I imagine this might relate to how you find your role changing as digital media evolves our behaviors and capabilities. That we all feel pressure to do more, to leverage more, to focus more on spreading ourselves thinner and thinner, and less on taking the time to produce a single work of exceptional quality.

Tea ceremony from the movie The Last Samurai

The above image is a scene from The Last Samurai featuring the ritual of a tea ceremony. It’s image that I try to keep in my mind often. The character here has devoted his life to this ritual, to perfecting the craft of tea. I always consider it in terms of how I approach my daily life – how I can become more focused on delivering exceptional value in my business. How can I focus on fewer activities, and do them exceptionally well?

My friend Catherine Carr shared an interesting Tweet this week:

A good meditation for today. RT @simonsinek: Progress is more important than perfection.

I understand this idea – that sometimes the search for perfection can ensure that we never get anything done. That oftentimes “good enough” is enough to get an important project started, and can lead to very important accomplishments.

But…

What if sometimes accomplishment is not really progress at all; that we must judge quality, not just quantity.

For instance: the toaster you bought 40 years ago was heavy duty metal, big, one function, easily repairable and lasted forever. New toasters are cheap plastic, have millions of options, and when they break, you throw them away. Is this progress? Oh, there still is a nice heavy duty single function toaster on the market:

Dualit Toaster

This Dualit toaster costs $340 from Amazon, marked down from its retail price of $380. I picked up one of these at a yard sale a few years back for $45. It’s the centerpiece of our kitchen counter. I can’t see doing the same with a “Back to Basics” Egg-and-Muffin 2-Slice Toaster and Egg Poacher:

Toaster

I love how the “back to basics” brand name tries to ride the simplicity trend, but designs a product that is akin to Rosie the Robot from The Jetsons.

Is there something wrong with doing just one thing very well? In not following 100 paths, even if they are all fun and worthwhile. Having the discipline to do one thing exceptionally well. Not rushing around doing more and more, always “unlocking value” – finding ways to shove more into our day, and eek out every last bit of “value” from everything we do or own?

That focus and limits can help us become better at what we do, and accomplish greater things over the long term.

Let’s look at some examples…

Greatness Sometimes Has Nothing to Do With Progress
Many of the people I admire were not innovators. They simply did one thing very very well. An easy example is Michael Jordan, in this classic commercial:

His goal was not to reinvent sneakers, create new ways to play the game, make a fortune off merchandising, realign pay structures, enable new leagues or anything like that. Sure, some of those things happened because of him, but he just focused on getting the ball in the hoop.

A great counterpoint to this is my band. What? You haven’t heard of my band? Maybe that’s because in the years we played together during and after college, we spent more time shopping for cool gear and fiddling with it all, than we did really learning our instruments and writing songs. Somewhere I have hundreds of hours of recordings of cool sounds, none of them arranged into any kind of coherent songs.

Is perfection possible? Car maker McLaren tried to find out with their F1 super car in the 1990’s. Jay Leno, an avid car buff, calls it “the greatest car of the 20th century.”

It opts for basics, with no power steering or traction control – Leno mentions how it’s like driving a go kart. Every single part in the car is designed and manufactured by McLaren. That’s incredible in this age where we outsource everything.

Here’s a video where Jay takes a tour of the McLaren factory:

Sometimes We Justify Compromises
Not compromising can be VERY expensive. That is why a McLaren costs hundreds of thousands of dollars, if you can even get one of the few they produce.

Oftentimes, compromise is something that is necessary in order to live our lives. We balance family, work, hobbies, social life, and mowing that lawn.

Yet, removing obligations allows us to focus our energy. This is one reason that my wife and I rent instead of own our home. I don’t have to mow the lawn, trim the hedges, repair the boiler, or shovel the walk. Instead – I spend more time rolling around on the floor with my son.

Compromise is often about resources and value. In another video, Jay Leno showed us a car that was given to him – an odd car from the 1950’s that was interesting, but ugly. He took it up as a cause, and will restore it at the cost of $25,000. When he’s done, the car will be WORTH $5,000 on the open market because it is not a collectible car.

Silly, right?

But maybe this is why an estimated 50% of early Hollywood films were lost – no one bothered to preserve or restore them. Those who focus their energies in this way can accomplish things that can’t be measured in traditional ways – money and power.

Perfection is hard. In the rush to accomplish things, we leverage a range of platforms and tools created by others. We can’t focus 100% of our energies on every small thing. It’s unlikely that you proofread every single email you send 10 times to ensure each word is perfect. But it is a choice we have – where to focus our efforts, what is worth doing exceptionally well, and what merely needs to get done.

But accomplishment alone is not a key indicator of happiness or success. The happiest people you meet are often those who have very little financial means. Some of the most unhappy people have lots of financial resources – but with it comes a personal expectation to do more, to live up to the external expectations put upon them.

How Focusing Can Be a Means for Differentiation

Something I find myself considering is how do I build quality into what I offer in my business. There are LOTS of people who do what do, and many of them are quite good. How do I differentiate myself? I suppose I try to offer something unique, and something VERY high quality.

One foundation of my business is teaching. I spent nearly an entire year developing my first online course: Build Your Author Platform. The first session just ended, and now I am taking a month to revamp it and improve it for when I offer the next session in June.

From what I have seen, this is the wrong way to build a business. If I wanted to scale immediately, if I wanted to maximize revenue, then I should be offering dozens of classes, different levels (bronze, silver and gold), be upselling ebooks and webcasts along with them. I should be “unlocking value.”

Instead I am obsessed with doing this one thing very very well. Will it be perfection? Nope.

But I am pushing myself again and again. I am asking for honest feedback – getting it – and apply it to help improve what I offer. I’m resisting the urge to be satisfied by survey responses that say my students feel the course has exceeded expectations. I want to raise their expectations even further, and exceed those.

Quality is often a process, not a destination, something you constantly strive for. And it’s a decision that each of us make every day, across the hundreds of things that we do. Inherently, focusing on quality is as much about what you DON’T do in your life, as what you do focus on. That your energy is finite, and creating something of unique value requires sacrifice.

Anyhow – let me know if I can help you build something uniquely valuable to you and your community.

-Dan

The Ownership of Connection

There are many online social networks that vie for our attention. They help connect us in new and innovative ways. But the true value of connection is dependent on each of us – to build something of value out of these many loose connections.

While we may focus one network or another – Facebook, Twitter, and the like – these services do not own the connections between people.

Two early social networks are in their final phase of unraveling, a de-evolution of the promise of how the web will connect us:

Sure other networks have usurped them, and through them, we remain connected in new ways. But these networks continue to change as well: the current top-dog in the online social media space, Facebook, is rolling out new ways to monetize those of us who use it.

Social networks are created, they are invested in, bought, sold, merged, and eventually taken away. Sure, I don’t use MySpace anymore, but I imagine someone still does. Someone who has devoted years to connecting with others there, and now it will be sold, reimagined, assimilated, and combined with other services.

So with Facebook’s insane valuation of $50 billion – what is it they own – what is it they produce?

Really, it’s us.

Sure, they have some software, and it’s very good software. But it’s useless without us.

Likewise, content farms such as Demand Media are realizing this: Google Traffic to Demand Media Sites Down 40 Percent. They have built a small empire of online content, but a large portion of it relies on Google to find an audience. So they own content, but not the connection.

Evidently, aol’s Patch websites are looking to hire nearly 8,000 bloggers in the span of a week. But it will take far less than a week to let those bloggers go when aol decides to change course yet again.

Businesses get excited about platforms like these, because they are an easy way to organize – to productize – us. You and me.

Why did Huffington Post sell for $315 million? Many reasons, but chief among them was an army of writers who worked for free, and the attention that we all gave them.

The human connection is rare and valuable. It is ephemeral, requires a ton of resources to create and maintain. This is why companies go through massive layoffs. Because the people are their biggest expense. They are also a company’s most flexible resource. When you lay off 5 people from a 10 person team, the company knows that the remaining 5 people will somehow get 90% of the work done with half the resources. People are funny that way.

You have goals. I have goals.

What I have been very interested in recently is how people come together to help each other reach their goals. Beyond just “connecting” via social networks – following and friending – how one person can help another, with ideas, expertise, and motivation. Not passively, but actively. How can we look beyond the halo effect of “I shared a link on Twitter – I helped inform and inspire people because of it.” Rather, actively strengthening the connections we have, understanding the goals we share in common, and working together in a coordinated fashion to help each other reach them.

This becomes even more interesting when considering how GROUPS come together to build lasting connections as they work collectively towards their goals.

This week wrapped up an eight week course I taught for writers called Build Your Author Platform. It was an online class, consisting of a virtual classroom, forum, conference calls, videos, lectures, and homework. A group of us came together with similar goals, and eight weeks later, not only felt as though we progressed towards them, but that we created bonds with each other. So much so that the students nearly demanded I create a way for us to remain connected – to continue to work together. (I did create a new way for us to do that.)

This really fascinates me – how our lives are journeys, and how we come to rely on those who share this experience with us. We learn together, and through that, we become closer.

I do see that happening in social media too – on Twitter and Facebook – but it is often the product of individual initiative to make this happen. Sure, these companies help us connect, but they don’t OWN the connections between us. It is up to each of us to decide whether to connect, how we connect, and the long-term value of those connections. That a Twitter follower can become a lifelong friend. That a Facebook friend will become someone whose advice you actively seek.

Sure, these connections may start on Twitter or they might be extended on Facebook. But it’s a personal choice to do something with those connections – something beyond status updates and sharing links.

I keep this in mind every day in my business. As I move towards launching new classes for writers and extending the value that has been created with existing and past students, I am always looking for ways to bring us together beyond simply sharing information and moving through a curriculum. That working together will be the catalyst for reaching our collective goals – a resource and connection that lasts a lifetime.

As amazed as I am with the power of social networks to connect us – the most powerful way to extend those connections is up to each of us – to make an effort to truly connect as people, not just ‘friends’ or ‘followers’ – to create something together than goes beyond what software can provide. That these connections are owned by each of us, and what we do with them determines the shape of our lives.

-Dan

The Creative Process: Not Everything Needs to be Shared

Yearbook

My wife bought a college yearbook from 1927. We were astounded by it’s craftsmanship – it’s weight, depth, and overall quality.

It had me considering the difference between this book and Facebook.

The difference between eBooks and traditional books.

Between art and commerce.

Between experience and documentation.

I work with writers to help them connect with those in their community, with readers, with like-minded individuals. And there has been a lot said about the expectations upon authors – about whether they must now be marketers, constantly promoting – or if they should focus solely on writing.

But I think there is a distinction.

That our creative work need not be shared.
That our creative work need not earn a profit.
That our creative work can be a slow and personal process, and it’s effect internal, not external.

And that this is a choice. A writer does not need to share their creation. They can write it in perfect solitude, and never spend a moment on marketing. And that is absolutely fine.

But what if the goals of the writer or creator is that they DO want their work shared? That they want to do everything possible to connect to others through their work. How do they find the time to do both – to create, and to connect?

In the 1990’s, I spent three years creating a series of pop up books. These were born in the midnight hours as I worked three jobs to pay the rent. I went through revision after revision, exploring the story, the words, the illustration, and how they related to the paper engineering of the book.

I spend months experimenting with materials and styles.

I went through x-acto blades by the dozen.

I would wander around New York City taking photos of everyone and everything that inspired me, infusing them into the work I was creating.

These books represented an entire world to me. They pushed me further and further, trying to become what they knew they needed to be.

After three years of work, my time with that story was done. In the end, there were three books, and a story that pushed my vision further than I thought possible.

And then, at the culmination of the creative process, I carefully packed them away in boxes, and that is where they have been ever since. And that is where they will remain.

Those stories did not need to be shared in order for me to fulfill my vision for them. They didn’t need an agent, a publisher, a Twitter feed, a book tour, a line of related merchandising products, or a royalty check in the mail. They didn’t need an audience.

Their purpose was served in their creation alone. Not everything needs to be shared.

So if you are a writer, trying to understand the role you play in finding an audience; if you are a creator, summoning a world that never existed before, and putting it on paper: it is your choice.

Your work does not need to be shared.
It does not need to earn revenue.
The process of creation alone is enough.

A world has been created, and an identity has been explored. And that does not need to be validated by attention or praise or money.

But…

If you choose that your work needs to have an effect outside of yourself to be relevant; That it must be read; That your skills must have an audience; That your time must be supported my monetary benefit; That it has an inherent value, and an industry such as the publishing industry can assist you in exchanging it for its approximate financial value.

If any of these things are true for you, then we must move beyond the romantic vision of publishing. That the world will magically find your work. That an industry will expend its precious resources to share it, to promote it, to give it a chance to grow. That this happens naturally, easily, and within a reasonable timeframe.

Publishing is hard work. And that hard work does not guarantee you an audience, validation or financial gain. It is no one’s RIGHT to have those things, it is something that is earned.

That is why I work with writers to help them connect with others. Because it’s not easy. Because it’s hard to do it alone. Because it can be an inherent part of realizing the vision of the creative process.

These writers have goals, and that includes extending the value of the work beyond themselves. And they are willing to invest in the vision. They are willing to work for it.

You don’t have to do that. Every song does not need to be published by a music label and played on the radio. For some songs, it is enough for the singer to sing it alone in a cabin in the woods, never shared. It is enough for a song to be written and sung from one person to another, never resonating in the eardrums of another person.

But for those songs that need to spread – that is a choice. It is a choice to share – to work hard to do so – to give it wings beyond the creator.

Should Bob Dylan focus his musical genius by only sitting home and writing songs, exploring his craft? Regardless of what you or I think, he spent most of his career touring hundreds of days each year.

Should U2 have never released and promoted their material under a tight deadline, even though some band members felt it wasn’t ready? Regardless of what you or I think, they did, and found success doing so.

In fact, I think that the promotion of a work can be integral in developing it. That you learn to explore it from outside of yourself. You learn what it does or doesn’t mean to others. You see it in a new light, outside of the confines of your head. You give it a chance to breathe, to grow on it’s own. This is why bands tour. This is why Jack White will spend a day recording an album, and a year touring it.

It’s not always ideal. Many popular bands are sick and tired of playing their hits – they have done so hundreds of times already. They watch crowds rush to the bathroom when they play their newest material – the material that as an artist, they are most proud of personally. And they work to share these songs, to give them meaning and context in people’s lives.

My pop up books sit in the dark corners of a storage space, packed deeply away. That story does not need to be shared, and that is my choice as a writer and artist, as a creator.

And for the work that you create, that choice is your own.

-Dan