Your Author Platform Should Be The Burnt Misshapen Potato Chip

In developing your writing career, are you concerned about being lost in the shuffle – about being JUST ANOTHER author buried in the long bookshelves at Barnes & Noble, or the endless inventory at Amazon.com? Are you concerned with how to stand out, how to develop a platform that matters – one that truly reflects who you are, what your work is about, and builds a meaningful audience with readers?

Then I suggest this: your author platform needs to be like those burnt misshapen potato chips at the bottom of the bag. Here’s why…

Last week I bought a bag of potato chips from Trader Joes’ “Ode to the Classic Potato Chip.” This is how they are described:

“These are classic potato chips, plain & simple, a traditional combination of “chipping” potatoes, oil (sunflower, in this case) and salt. They’re not thick cut, or ridge cut, or cooked in a special pot. If you have a memory of potato chips from your childhood (assuming your childhood has passed), it is probably these chips you’re remembering. In fact, these chips were inspired by our snack food buyer’s memories of family beach picnics that wouldn’t have been complete without, you guessed it, potato chips.”

When I was eating them, I found something that did indeed remind me of my childhood: plenty of those burnt, misshapen or spotted or green chips – not a bag of identical “perfectly” shaped and colored chips. Here is a photo of some of them:

Potato chips

The sensation I got was: these are REAL potatoes. Not those homogenized, shiny, “perfect”, chips I get from well-known brands. That the science of food has not “innovated” these potatoes to make them all the same, all flawless. This was not a scientifically constructed potato like this: New Potatoes Developed to Make Better Potato Chips; Where the chips come out looking like this:

Potato chips

When you are developing your author platform, keep this in mind: endeavor to be the green, misshapen, burnt potato chip. That how you talk about your purpose, how you connect with your audience, how you develop your career should be a true reflection of who you are. It should be real, authentic. Photos of you should look like how you ACTUALLY look, not some airbrushed photo that is 4 years old, where ever line in your face is washed away by Photoshop. Where every blog post or Tweet or encounter with a fan is not a press release.

Where you are a person, not a commodity.

That how you communicate your purpose, create your platform online and off, how you connect with your readers reflects what you are about – the person you are. That there is the unexpected in engaging with you. Something welcome, something that others can relate to. That when someone opens the bag of chips, maybe every chip isn’t perfect, but they are the real deal, straight from the farm. That’s you.

I talk a lot about “developing your brand” and “building your author platform.” While these terms can seem foreign, seem as though the intention is to put a glossy sheen over who you really are, that is not he intention. To me, it is about effectively communicating your purpose and establishing trust with others.

It today’s world, there are too many perfect potato chips out there. Don’t be one of those. Be the only you in the world.
-Dan

Writers: Please Take This Survey on Your Goals for 2012

If you are a writer looking to build your career and develop your platform in 2012, please consider taking this very brief survey:

https://www.surveymonkey.com/s/wegrowmedia

I want to better understand your goals so that I can tailor my courses and services to meet your needs. If you have any additional feedback, always feel free to email me.

Thanks!
-Dan

Your Author Platform: Why Bigger Isn’t Always Better

For a writer developing their career, they may think that “bigger is always better.” That the bigger your platform, the greater your reach, the more success you will find. But today I want to talk about finding the RIGHT FIT for your writing career. That this goes beyond book sales, this is about creating a life, a career, that suits who you are and the work you create, not just a landgrab for more more more. Let’s take a look at an example of right fit and wrong fit…

Last week I took a walk around town and saw this: a new house being built next to an old one:

House

The lot that the new house is being built on used to have a small house on it, but last year, it sold for $750,000. That’s right, they bought that old house for $750,000 and knocked it down in order to build a dramatically bigger house. Once completed, the new house on the  will sell for more than $1.5 million (likely closer to $2mm), and taxes will easily be $30,000. This is a jump from $15,000 the smaller home paid before it was knocked down.

So let’s just say you win the lottery, you win $2 million. And you go and buy that house on the left once it’s completed. You now have a 4,200 square foot home on a half acre on a very nice street filled with other $million+ houses. Now, you may think: “I have arrived. We have no mortgage, I can just sit back and relax.”

But you can’t.

Because the scale of the house is so large that it requires a vastly larger expenditure of your resources:

  • You have to keep the landscaping nice.
  • You now have more rooms to furnish, and a feeling you must decorate them nice enough to fit into the stature of the house.
  • You now have more rooms to clean. Perhaps double or triple that of your previous home.
  • Every system is larger and will cost more to repair or replace.
  • Your heating, cooling and electricity bills will be higher.
  • With more room, more stuff, there is more upkeep and repairs.
  • You will feel the pressure to buy a nicer car to align to the house.
  • Because the neighbors all have very expensive homes, you will find yourself with a constant pressure to keep up.

This last point is something folks don’t factor in. Pride. Often called “keeping up with the Jones’,” we all think we are immune, but often aren’t. I saw this on another walk around town, two houses, side-by-side that each built ice rinks in their front yards:

Ice rink

ice rink

I would be willing to bet that the ice rink in the second photo was built AFTER the other one, because it is bigger. That there is an element of oneupsmanship in it.

Okay, back to your writing career…

It’s easy to look at other writers who have found great success, and think: “I want THAT!” But you have to consider the type of writing career that is the right fit for your life, for your goals and lifestyle. When you just go for scale, and don’t have the resources, success will be hard won, but quickly lost as well. Oftentimes, you may not even have the inclination for the type of maintenance that success of that magnitude requires. That to maintain your success, you are constantly expending resources and doing things you may not want to. We all assume that going on TV, doing big book tours, being interviewed are all wonderful things. And the validation of them is, as is the reach in extending your audience, and connecting with like-minded folks. But with this success comes hard work. Pressure. And perhaps even judgement from others.

Maybe that kind of success is a perfect fit for you. But maybe it’s not.

With building your audience for your work, too often people just want to get on the Today show (be exposed to a large audience), give a good performance, and then assume everything is on rails after that. You simply need to react to all the good offers, selectively saying YES.  But it’s a ton of hard work. Successful people work insanely hard. There is so much preparation, decisions, work to keep it going, and the pressure that goes along with it can be overwhelming.

Is that the writing career you want?

What resources do you have? How much time will you spend? Not IF you have a platform, but what TYPE of platform will you develop which aligns to your goals?

Next to that house I mentioned above sits this house; if this small, humble house represents an author platform, is it good enough for you?

House

Is it good enough to develop an author platform, a writing career, that allows room enough for time to other activities: your family, work, hobbies, friends? Big enough to support you and your writing career, but not so large that it overwhelms you?

That it is enough to matter, but not so much that it crushes you.

What is the right fit for you?

Thanks.

-Dan

Being a Success, Without Being a Bestseller

How do you measure the success of your writing career? Do you dream of accolades, swarms of raving fans, speeches given in your honor, and your name at the top of bestseller lists? Perhaps. As many high school students dream of becoming rock stars or professional sports heroes, dreams such as these fuel our desire to work hard towards our goals.

But today, I want to address what success can look like in your writing career, without becoming a bestseller. That there is value in your contribution to the world, even if at a smaller scale.

 

Motivation

A scene from Chariots of Fire
We often strive for greatness as a primary motivation to move past barriers. That, if we aim too low, then we already limit our own capabilities. One of my all time favorite movies, Chariots of Fire deals with the topic of motivation in describing greatness. It tells the story of two men, reaching for greatness in the 1924 Olympics in track. One is motivated by “overcoming prejudice,” as Wikipedia calls it; the other, by celebrating his faith. Both have astounding capabilities on the track and are complex and admirable men. But when each achieve their goal, only one seems to find solace – the man whose motivation was that of celebration.

The lesson I take away here is about core motivation of how we each achieve our own personal greatness. Are you fighting to prove something to others, or are you celebrating your own capabilities and your potential effect in the world? There is no right answer here.

Many are competitive, in that they find a focus and motivation in outselling others. But I do feel there can be a hollowness in valuing ONLY that type of success. It is not a hollowness of a bestseller list itself, but in considering WHY your goals are set where they are, and the means by which you measure and value your own achievements.

Is your motivation to truly affect the lives of others? To move our culture forward? To achieve greatness in your own terms, pushing yourself to places you have only dreamed?

Or, is it to be a name on the top of a list? Quick: name the bestselling author  in 1972.

Quick: tell me about the writer who has shaped your life in a profound manner, someone who you are eternally grateful for.

Is there a difference in those two names? It is not that both aren’t great books, written by great authors. But the measures for success may be different because of how one author shaped your life, not whose sales numbers topped a list.

How to define greatness

Bruce Springsteen

If you are a kid playing basketball, you dream to achieve the level of greatness of Michael Jordan. But the question I have is: as that child grows into an adult, builds solid skills and measures of success, but DOES NOT reach the level of Michael Jordan, is he or she a failure?

How do you cope with this when Michael Jordan is not just the top 1%, he is an anomaly in the universe? Every field has their Jordan somewhere in it’s history books. The outlier whose abilities are so unmatched that it is hard to consider them human.

What if this child “merely” becomes a good team player, assisting in scores that propel his team to victory, winning some awards in mid-level leagues. What if he “merely” makes his hometown proud, wins the affection of his sweetheart and admiration of his friends, and perhaps garnering a few nice mentions in the regional newspapers? Failure?

As a writer, what if you “only” create a body of work that is meaningful to several hundred people? What if you hold a book signing, and “only” 4 raving fans come up for autographs and to chat you up about the intricacies of the world you have created, and the characters that feel like friends to these people? Failure?

I have been obsessing about Bruce Springsteen’s 1978 album “Darkness on the Edge of Town,” fueled by the incredible 3 cd and 3 dvd box set.

The story of creating the album is powerful in and of itself. Facing a legal battle with his manager, Bruce couldn’t record a new album. So he holed up in a house with his band, and wrote 70+ songs. Once the legal battle ended, he went into the studio and made some seemingly bizarre choices. His previous album, Born to Run was his biggest success, and featured a big sound of songs such as “Thunder Road,” the title track, and others. But for Darkness on the Edge of Town, Bruce recorded many songs that were uplifting songs that would surely have been hits. And he threw them in the trash.

Instead, he released an album of understated songs that adhered to a theme: coping with the limits of adulthood. Of what happens when adolescent dreams of greatness and freedom turn to the challenges of adult relationships, work, and living within boundaries. The “darkness on the edge of town” is the feeling of something keeping you in. Of the horizon not being an open road that promises new dreams to come true. That we are not all immortal and destined for greatness as we all may have believed in high school.

The album is ultimately hopeful, finding empowerment in facing these limitations. About redefining what it means to be a person living by principles in a world that is full of limits and challenges. It is an adult view of the world that does not rely on vague promises of success. The photos of Bruce on the album cover and within the sleeve were meant to portray the character in the songs.

How do you define greatness as you juggle the other obligations in your life? Is your writing career merely a lottery ticket, meant to solve your problems by propelling you to the top of the charts? Or, is it a passion that you balance with the many other obligations of family, work, finance, time, and mundane tasks such as laundry and mowing the lawn.

Is it something you are making a bet on, or something that represents who you are, regardless of your name appearing on a bestseller list?

 

Measuring success

How you measure success will define the type of writing career you have. While we all dream of being bestsellers, of having the world validate our work on a grand scale, the fact of the matter is: many of us will not be number 1 New York Times bestsellers.

But that doesn’t mean we won’t be great.

Sometimes, it’s not about being a bestseller – it’s about being a writer, putting your work out there, and affecting peoples lives. Of creating meaning for others, one person at a time. Of building a legacy for your work that extends beyond your own lifetime.

That you work to improve your craft, and live a life filled with the people and experiences that matter to you as a writer. That this is about the process – the journey – not the name on the top of a list.

In the end, your goals are your own. How you find motivation, define greatness, and measure success are deeply personal decisions.

If I can help you in your journey, just let me know.

-Dan

When To Hire a Professional to Help You Push Your Career Forward

When do you hire a professional to help you move your career forward? Sometimes this might be paying for a specific thing (such as a website); othertimes, it may be hiring expert advisors to help you move past a barrier and develop a strategy via training or consulting.

I have recently been addressing this topic for myself, as I have been outlining in the previous two blog posts of this series:

Today, I want to discuss the decision-making that goes into when and how to go about hiring a professional to assist you.

Deciding You Need Help

The hardest part of achieving a goal is starting. The second hardest part is to not stop, to keep going. Deciding that you need assistance is not a sign of weakness, it is often admission of reality: that you can’t do it all.  Sure, you can get by all by yourself, a jack of all trades; but sometimes having is help the difference between success and continuing to run on that hamster wheel.

Hiring someone can provide expertise that you simply don’t have. Yes, you could read a book. But that is not the same as years of real-world experience, truly executing, not just learning theory.

Hiring someone can also save you time. Likely, you are juggling many things with few resources. Putting someone on your team to tackle a specific task means it frees you up to do other things, and pushes you forward more quickly.

For me, I built We Grow Media for nearly two years before I made many investments in hiring others. I wanted to make sure it was stable in terms of cash flow, but I also wanted to really learn more about who I served and how I served them. In the beginning, you make assumptions. I wanted to be SURE that whatever I invested in was exactly the right thing to encourage further growth.

Who To Hire

There are so many people out there who offer professional services. You need to find someone you trust and who will get the job done. I tend to break this out into two parts:

    1. Ensuring it’s someone I connect with. So I get a recommendation from a friend, or have a phone chat with someone I am considering hiring first. Or maybe I follow them on social media to get a sense of their work style and personality.
    2. Don’t just assume someone can deliver the goods – where possible look for real proof that they can execute on what they promise. Maybe this is experiencing the results of their work or it could be social proof – talking to their past customers.

Personally, I like hiring those who are building a small business, people who I can partner with and help them move towards their goals just by doing business with them.

Do your research on their background. Reach out to others who have worked with them. Look for a long track record. Go with your gut too – those who feel right.

Scary Legal Agreements

When possible, get an agreement that clearly states parameters, timeframes, process, deliverables, fees, etc. I used to be scared of this stuff – there is something about signing your name to a contract that can make people uncomfortable. But I have found that it sets proper expectations and protects people on both sides. Making too many assumptions will lead to serious problems down the road. You don’t want two people’s memories differing about what was agreed upon. Put it in writing – that way you have a paper trail and proper expectations.

Did I hire a lawyer for most of this stuff? Nope! There are loads of free guidelines and agreements online. Use those as a starting point – but keep it simple. I don’t like agreements that are more than a single page. I have also spoken to friends who have done this stuff before, which gave me lots of wisdom from those I trust.

Don’t be afraid to negotiate agreements. READ THEM! Fred Wilson, a very successful venture capitalist, has written in the past that no clause is “standard” in a legal agreement. (I can’t find the link to his great story on this, sorry!) If something doesn’t feel right, address it. Don’t be afraid to have a clause removed or modified. It’s better to address issues up front to move past them, than to let the fear linger in the back of your mind, and threaten to affect the relationship down the road.

I look for long-term partnerships, even if an agreement only addresses the short term. The idea is to build a relationship and resources that grow over time.

Focus on Communication & Relationships, Not Just Stuff

A big focus for me is working with those who work WITH me, not just do something FOR me. There is a value in the working relationship, in having conversations, not just sending email.

Some people put barriers to connecting – to me this is a warning sign. Examples: there is a form you need to fill out before you chat; you can’t find an email address; they try to keep things ONLY on email, never on the phone. I don’t mean these are “red flags” in terms of them not doing great work, I mean in terms of whether they align to the method in which I like to work. You have to consider how you work best with others, and keep that primary in your mind as you consider who to hire on a professional basis. Communication is critical – if those channels aren’t open, you will receive less value regardless of the other person’s skillset.

Consider how you are building relationships for the long-term, how you can find new ways to work together, to provide resources, and to assist in other ways of helping each other succeed.

The people I have hired recently are those I would openly recommend to others. Not because I get some kind of affiliate commission (I don’t), but because I want their business to grow, and have others benefit from their expertise.

As I detailed in my website redesign process, I would gladly recommend Ben and KJ from Spruce Solutions if you need work done on your website. Likewise, if you live in the New Jersey area, and need a great photographer, consider reaching out to Meridith Bailin Hull. I really enjoyed working with her, and loved the photos she created.

What About the Money!?

If money weren’t an issue, of COURSE each of us would hire people all the time, and always only the BEST of the best. But money is an issue  – we have limited resources to work with, and want to ensure that every dime that we spend somehow repays us down the road with a quarter.

Pay people to help achieve goals that truly move your career forward. Maybe it’s a “thing,” such as a website. But maybe it isn’t – maybe it’s a service or expertise that helps you develop a strategy or move past a barrier. If you walk away from the experience much closer to achieving your career goals, then it is likely money well spent. So: define your goals clearly before you consider what you are hiring people for.

Work in phases when you can. It’s tempting to say that you will hire an agency to build your career from the ground up. They make promises, and send you a huge bill for the service. But… why not step through the process in phases. One thing at a time – one investment of your resources at a time. You learn things in the middle of a process that you never could have imagined at the outset.

Don’t always think that the most expensive option is always the best. Sometimes the most expensive option is only that: the most expensive, not the most EFFECTIVE.

Likewise, don’t always think that the biggest player – the most prominent name in a field is the person you need to hire. Some big names leverage their skills and experience across so many different projects that you get a mere sliver of what they are capable of, especially at the price you can afford. Sometimes hiring an upstart provides 100% of their resources – they NEED for you to succeed in order to further their own career.

When You Can’t Afford Something: Negotiate

When needed: negotiate. I am always SHOCKED that people are too sheepish to do this. That someone will send them an estimate for a project of $5,000 and even though they could afford $3,500, they end up just saying: “No, sorry, I can’t afford $5,000,” and walk away. Work with people to come to a price that works for each of you.

Measure the investment against how much it would cost you to do it yourself. Could you do it yourself? If so, how much time and resources would it take? I could have redesigned my own website. BUT – it would not have turned out nearly as nice at what Ben and KJ provided me, and it would have eaten up TONS of my time – time better spent on other projects that deliver more long-term value to my business.

Don’t Disregard the Emotional Benefit of Working With an Expert

Most people don’t pursue their dream in life. They will tell you it is because of some barrier such as time or money. But often it is fear – it is lonely to take a risk to build something that no one else expected of you. It’s too easy to just do what you have always done.

Hiring a professional can be the key thing that pushes you forward to attacking and achieving your dreams and goals. It builds momentum. It means that there is someone in the world 100% focused on making this happen for you. Imagine that. It’s HUGE. Most of us spend our days surrounded by people trying to ensure things don’t change. That you remain as you are, in your station. But when you hire someone, they wake up in the morning focused on helping you achieve.  Are you paying them? Sure – of course. It doesn’t come cheap. But then, if it’s the difference between you becoming what you want to be, and not, well, maybe it’s worth it.

Thanks!
-Dan