Why Writing a Novel is Harder than Law School, Running a Marathon, or Climbing a Mountain. My Interview with author Allison Leotta

Author Allison Leotta made an incredible career transition. After spending 12 years as a federal prosecutor who specialized in sex crimes, domestic violence, crimes against children, she became an full-time novelist. She now has five books published, one being prepared for publication, and another being written.

You can listen the interview on iTunes or via this video:

In our conversation we dig into her incredible career path and cover a lot along the way! Some highlights:

How She Got Her Literary Agent

So many authors hide their writing from their friends and family. But Allison shows how your existing network is one of the most powerful assets you have. She found her literary agent by reaching out to a former college classmate. That classmate introduced Allison to her agent, who signed her. Allison says that the writing community is incredibly generous, kind, and welcoming.

Why Writing a Novel is Harder Than Law School

She said this of writing her first book “Writing the novel was the hardest thing I’ve ever done in terms of self-discipline. I went to law school, I’ve climbed mountains, I’ve run marathons, but the discipline that it took to keep going [on writing the novel] for two years, is the biggest accomplishment. Because there is just such a temptation to sleeping in.” She gave up working out and TV for two years for those 2 years while she wrote the first book.

What She Has Learned About the Writing Process

During the writing process for each book, Allison says there is a point where she hits a wall and feels that she can’t go on with it. But now she knows that is a part of the process — a phase you work through. That never goes away no matter how many books you write, you simply learn to work through it.

 

How being a prosecutor prepared her for being a storyteller:
“I’ve always loved a good story, and I think there are few jobs that can compete with the amount of fascinating stories you can bring home as a prosecutor. You just see everything.”

How She Got Started Writing

“Being a prosecutor,] he things you see are so painful and upsetting, that it really does change your view of the world a little bit. At the same time, there are some real heroes. It was also really inspiring.”

She said she started writing her first novel because it was cheaper than therapy. Real life is more complicated, but in a novel she can tie things up in a nice little bow, solving every mystery.

She says, “It was almost a physical need to sit down and write.” This is how she got started: “I went up to a little cottage in upstate NY. I had a week, and I was going to write my novel in that week. Not a single word typed that week made it to the novel, but I established momentum. Two years later I had a novel.”

A Career Shift Requires Difficult Choices

Allison shared the story of the exact moment when she decided to make a big shift in her career from being a prosecutor to being a writer. The moment she said, “Some choices have to be made here.”

You can find Allison in the following places:

“What I wish I knew when I first became an author/illustrator,” with Lori Richmond

I invited author/illustrator Lori Richmond to talk about what we wish we knew when we first started in our creative careers. Both Lori and I made big creative shifts midway through life: we left safe corporate jobs to start our own companies that focus on creative work. In her case, she became a children’s author/illustrator. For me, I became a writer who also works with writers and artists.

What we share today is advice we give to people who are looking to jump to the next level in their creative work or in their businesses.

You can watch a video of our chat here:


Or listen to the podcast on iTunes.

Thanks!
-Dan

P.S. You can find Lori here.

How to Make a Creative Shift

Today I want to share with you the four essential ingredients to making a creative shift in your life. What is a creative shift? It is about taking a leap forward to get unstuck and ensure that your creative work — your writing and art — has an impact on the world.

This is what you have to do in order to make a creative shift:

  • Get radical clarity on what you create and why.
  • Develop strong creative practices.
  • Understand how your work can change someone’s world — that it truly connects authentically with those who will love it.
  • Create a support system to ensure you stay accountable and on track.

Click “play” above or listen to the podcast on iTunes.

You can also check out my Creative Shift Mastermind which begins July 1.

Thanks!
-Dan

The Man Who Writes 10 Books Per Year – My Interview with Michael La Ronn

Michael La RonnHow can one man write 10 books per year, while working a full-time job, going to law school in the evenings, and raising a young family? Today we find out. I am so excited to share my interview with author Michael La Ronn. He has published more than 40 books in the past six years: science fiction, fantasy, and nonfiction books on writing.

In our discussion we dig into:

  • How he eliminated everything life that isn’t writing or reading. Gave up TV, videogames, movies, and even friends who are not productive. Instead, he stays focused, saying, “I’m always thinking about writing and reading.”
  • How a 2012 bout with food poisoning put him in the hospital for a month, where he decided, “I swore on my hospital bed that I would be a writer.”
  • How he writes 3,000-5,000 words per day. Okay, I just did math, and that potentially adds up to a million words per year.
  • How he increased his writing output by 40% simply by writing 100 words in small moments on his phone. If he is on line at the foodstore, he writes. If he is waiting for his wife at the store, he writes. In the small moments where most of us check social media or the news, he writes.
  • How he deals the demands of his day job, and how he manages the job, instead of letting it manage him.
  • Why he is able to say, “When i wake up every morning, I’m doing my life’s work,” and (I love this one), “I’m going to be successful being myself.”
  • She shares lots of time management, productivity, and mindset tips.

You can listen to the interview by clicking ‘play’ below, or via iTunes:

You can find Michael in the following places:

 

 

How to Manage Anxiety in Your Creative Process. My Interview with Artist Megan Carty

Megan CartyThe other day I was looking at Instagram, and I saw a series of videos from an artist I follow, Megan Carty. She was in her studio, working on a series of paintings for a gallery show she is preparing for. She looked directly in the camera and said this:

“I feel like I’m having a nervous breakdown. My heart is racing, I’m panicking, it’s hard to breathe. Resistance is hitting me so hard right now. I have a lot of work to do, I have a lot of money invested in materials for the show I’m working on, and I’m freaking out. Something inside me says, “What if this isn’t right.” I’m being hit with all the what ifs, the scaries, the freak outs. I feel like I’m going to cry. It’s not always easy to paint and come out how you want. It can be really stressful. The fear is real. It’s just nastiness.”

I immediately messaged her and asked if I could interview her to talk about this place that nearly all artists and writers encounter. To dig into the moment, as it is happening. She was kind enough to agree, and I am so excited to share our conversation with you! In our chat we discuss:

  • How the time, energy and money you put into your creative work is an investment, even when it can feel terrifying to put so much into it. How you never know how or when this investment will pay off. This is not a sure thing, but it is a necessary steps.
  • How building her art studio was symbolic of her art becoming a career instead of a hobby.
  • The jump from dabbling to doing: “[When I began], I dabbled, but I wasn’t all in. I didn’t full believe in myself.”
  • How it only takes a little problem, or a little bit of doubt to cause a nervous breakdown: “Sometimes it can feel like a house of cards that can come down. It’s my job now to not let that happen. I have to manage it.”
  • How social media can become “a rabbit-hole of self-pity,” and how she actively manages how she uses social media to resist this.
  • How one’s creative career is not about a specific outcome, but about appreciating the journey itself.
  • How self-doubt can sabotage someone’s career: “There is an energy flow to it (your career) Where you block that energy flow with your doubts, you aren’t going to go anywhere. It’s about shutting off the valve to the doubt.”
  • Why she shared her anxiety in such a public manner: “When you share the struggle, you create a connection to others who need to hear that.”
  • Why shame accompanies the work that artists do: “You are sharing something so personal, that when you aren’t sharing it the way you want to, its as if you are letting yourself down, and you beat yourself up about it. Instead you need to forgive yourself and be your own best friend.”
  • How one’s mindset is critical to making progress: “If you are feeling frustrated in the moment, that is okay, but coach yourself through it. Encourage yourself speak more nicely to yourself.”
  • On managing depression and her art: “I’ve had depression for a long time. i’ve had a lot of time to learn how to manage it. How to flip the script so your thoughts are working for you and not against you. I coach myself and change the dialogue in my brain.”
  • Why people get stuck because they give up their own sense of control to improve their situation, and her advice on how to fix it.
  • Why failure is an essential part of success: “You can’t make good work without waddling through the bad work. You have to go through the muck. Remember this was investment in getting to the good stuff.”
  • How she relies on a mastermind with a friend to help keep each other motivated and focused.
  • The danger of focusing too much on posting on social media: looking for praise instead of doing the hard work.

You can listen to the entire interview by clicking ‘play’ above, or you can find it on iTunes.

You can find Megan in the following places:

And I would highly recommend her deeply honest posts about creating art while managing depression and thoughts of suicide: