3 Key Ways That Hiring Employees is Helping My Business Grow

Last year, I shared two blog posts about my process for hiring three interns. I wanted to check in on how things have evolved since that time — continuing this as a behind-the-scenes case study.

In June 2014, I talked about my intention to hire an intern, the process to do so, and how I ended up hiring three people instead of just one.

In August, I wrote an update on how we worked together.

Since that time, this is what has happened with each of the interns:

  • Diane Krause stayed on board after the summer, gradually working more and more hours, getting a new title (Project Coordinator). Way more on my process with her below.
  • Rachel Burns went back to school and has been pulled in here and there for some specific projects. I have told Diane that she can put Rachel on any project she likes, and I’m hopeful that Rachel can do a lot more with us again this coming summer.
  • Kathi Gadow landed a great job with DK Publishing, while she also pursues her Masters degree. We stay in contact, but I haven’t really reached out to her with new projects recently, simply because I have been focusing on my work with Diane, and because I feel like Kathi has been busy with her day job and school.
  • Lorraine Watson is a newer collaborator. She took one of my courses last year and was wonderfully helpful in the student discussion forums online. She shared positive reinforcement to other students, helpful advice, and created little systems to manage the most helpful threads in the chats. I loved having her in the class, and this year she has been the official teaching assistant in two courses.

Without Collaborators, I Can’t Grow

Not too long ago, I interviewed artist and baker Andrea Lekberg. As we explored her decisions in opening up her own shop, I asked her why she didn’t just open up the shop with zero staff, taking on the role of baking and serving by herself. Her response was, “If you have a business so small that you are doing everything, then you don’t have time to think about growing it. You can’t grow. You are always behind and overwhelmed. We started out so that we could hopefully succeed.”

Her answer hit me like a ton of bricks, which is usually how her wisdom hits me. So often, we worry about what there is to lose in taking a risk to hire help. Now that isn’t all bad, because hiring is inherently a commitment to another person, and that can’t be entered into lightly. Hiring is a commitment.

I thought it was important to pay the interns I hired, but again and again, people told me that they didn’t apply for the money, they applied for the experience. They felt a huge gap between where they were, and how they see me — that somehow I am able to be the sole income provider for my family, even though we live in New Jersey, a notoriously expensive state to live in. My interns were interested in gaining insight into what my process looks like on a day-to-day basis.

And I can’t blame them — when I started out, that is what I desperately wanted to know as well!

Several months back, I told Diane: Work however many hours you can; if it becomes too much for me to afford, I’ll let you know. Since that time, I haven’t worried about paying her for one minute, because I think that the value she provides is so worth it to me personally, and my business.

Oddly, like so much of what I have found as an entrepreneur, it doesn’t feel even 1% risky, even though “on paper,” it should. In fact, the only things I think about are:

  • How can I get Diane to work more hours?
  • How can I bring on a second employee that Diane manages?
  • When can I give her another raise?

Because Diane is awesome. And with Diane, I can feel the quality of what I do improve, and I can feel myself (and my business) grow.

My Work Can’t Improve or Expand Without Established Processes

So much of my work with this team has been about establishing processes around my products, services, and communication. For example:

1. How we launch a course, the specific steps
2. How I communicate with clients
3. How I can better serve my readers

As our work evolved, Diane and I tried out a few systems to better manage projects so that they existed less on shared Dropbox folders and in email attachments, and more in a system that would scale for a true business that can expand its team.

Asana was the first system we embraced. It is project management software that helps us keep tabs on projects, but also create step-by-step systems for a variety of tasks. We looked at a lot of project management options last summer, including many of the obvious choices: Basecamp, Salesforce, and others, but settled on Asana because it just seemed to feel right. Basecamp was a bit too “simple” for how we liked to work; Salesforce a bit too complex. Asana has worked well for us, but in our research, I talked to people who raved about many other systems, including Basecamp and Salesforce. As usual, there isn’t one “best” tool, just the tool that works best for you.

Recently, on a whim, we tried the group messaging service Slack. This didn’t start out as a formal need or solution, just something I saw mentioned a lot online, so I set up an account.

It turns out we LOVE Slack and use it every single day now. Slack primarily manages our conversations around projects we are working on. I basically view it as text messaging with a business structure. We are always having informal conversations in Slack. While we will text on our phones too, that always feels a little invasive for me. I want to respect boundaries (Diane may be attending to other work, or personal stuff).

Because of Slack, we are using email less and less, which feels AWESOME. In my courses, I work with creative professionals to stop using email as a catch-all for their tasks, communication, and calendar.

Diane and I used to have formal weekly check-in calls, but we stopped doing that. For one, it removed a meeting from my calendar, which felt good. Fewer meetings means more “white space” in my life to focus on what matters that day. It’s worth noting, that as I write this, Diane and I have used Slack to set our work priorities for the morning, and are now chatting about our favorite ice cream brands. It genuinely feels like she is right across the table from me, yet she is in her home in Texas, and I am in a Starbucks in New Jersey. Yay internet!

Yet, we communicate more frequently because of Slack, and will hop on the phone during the week when it makes sense, such as to brainstorm, to tell a story, to just check-in informally.

I Have Less Anxiety (and More Effective Ways of Dealing with Anxiety When it Does Crop Up)

Let’s talk about mental health for a moment. Now, this is a broad topic that can be defined in many ways, but in this context, let’s focus on ANXIETY around work.

When I first began considering starting my own company, I reached out to entrepreneurs I knew and interviewed them about their experiences. What I heard again and again was this phrase: “rollercoaster of emotions.” How one day they will feel on top of the world, and the next that they have totally ruined their family’s finances.

When you pursue your own venture as a creative professional, this can happen in a myriad of ways on any given day. What I find is that having a team helps me feel that things are on a stable track each week.

  • In establishing processes in a collaborative manner, I am less likely to feel that I missed something obvious. Before I launch something, members of the team will have provided feedback, catching simple mistakes, missed opportunities, or potential threats. Diane now edits nearly everything I send out, catching loads of small errors that I make in my writing.
  • When specific situations come up, I can discuss them with someone with whom I have a professional relationship and is integrated deeply with my work. These are rarely “big” situations; but typically tiny things which trigger anxiety. A comment on a blog post, an email, a conflict in schedule. It’s hard to describe how good it feels to be able to talk in detail with someone whose opinion I respect so much.

I suppose that these are also part of the reasons why I didn’t feel that hiring a “virtual assistant” should be my first hires, as others suggest. It’s nice having someone who (even though she works remotely) is truly a part of the team, and not someone whose hours I am buying through a VA clearinghouse. There is an emotional investment and a sense of trust that changes the relationship entirely. Diane is a true collaborator on so many things. And it is my goal to expand her role and continue to bring in other collaborators.

A note here: Yes, there are other roles that people play in my life who give advice — colleagues, mentors, and others who can provide keen advice when needed. But the difference between those people and a team is that I only want to ask a mentor or colleague for advice when it is truly needed, not because I am having a moment of anxiety about something small.

I am about to announce that I am hiring an intern for this coming summer (sneak peak!), and when Diane and I discussed our needs, she brought up the idea of just finding someone via Elance. While I have nothing against Elance, I think I may have cut Diane off before she even finished the sentence with my gut feeling of, “No. We are building a team, not hiring freelancers.”

Is that the right move for every business? No!!! There are loads of success stories of hiring freelancers, using Elance, and various other ways of getting help. Use the one that works well for you.

Have you been considering how employees can help you grow? If so, what are your hesitations? Do you have other advice on how to begin hiring a team? Please share below!

Thanks.
-Dan

Free Webinar: Take Back Your Creative Time

Do you want to spend more time developing a meaningful body of creative work? Do you envision that work as the foundation for a full-time career?

Then please join me for a free webinar on Thursday, April 16th at 1pm ET: Take Back Your Creative Time. Click here to sign up for the free webinar.

If you are like many people I meet, you have big dreams, but zero momentum. You feel crushed by family obligations, professional obligations, and find that by the time you’re free to focus on your creative work, you feel distracted, overwhelmed, and spent.

During this call, I’ll share:

  1. How to develop small simple habits that will have massive effects on your creative output.
  2. How to schedule your time with more intention, ridding yourself of the constant sense of overwhelm that stems from reacting to other people’s priorities.
  3. The power of managing your energy, instead of your time.

You will also be able to ask me anything with regard to making your creative work a priority on your life.

Creating momentum in your creative life may require some big changes, but those changes don’t have to be dramatic or overwhelming. Big change can be accomplished through a series of small changes that move you in the right direction.

If you’re ready to make a change in your creative and professional life this year, start by taking back your time. Join me for this webinar and let me help you get started.

During the session, I will also be previewing my upcoming course: BECOME A CREATIVE PROFESSIONAL which will help you:

  • Focus your vision.
  • Work smarter.
  • Manage your fear.
  • Earn money from your craft.

Click here to sign up for the free webinar.

Thanks!
-Dan

PS: When you sign up for the webinar, you will also be invited to join my weekly email newsletter list.

Build a Career Around Your Craft

For years I have worked with authors who want to build a firmer foundation for their career, and to earn more money in the process. Through this work, I have realized there are so many more creative professionals with the same goals: artists, photographers, designers, photographers, musicians, social entrepreneurs, and so many others. They have similar dreams, and wrestle with the same challenges.

Speaking with them has had me reflect on my own experience. I have been an artist, a poet, a musician, a paper sculptor, a writer, a publisher, a photographer, a teacher, a radio DJ, a cartoonist, a designer and an entrepreneur.

In 2010, at the height of the recession, my corporate job ended. My wife and I re-assessed our goals and took a huge leap: I started my company, we had a child, and she quit her tenured job as a teacher. (If you want to hear the full story, please check out my essay on The National Endowment for the Arts website.)

Since that time, I have pushed myself beyond creative and professional boundaries, supported my family for more than five years, purchased our house, and spent every single day building memories with my wife and son while working from home.

I have also spent those years working with hundreds of creative professionals — not just reading about their challenges and goals, but partnering with them, getting in the trenches and helping them blaze a new path for their craft and career.

This week I am excited to share that my online course Become a Creative Professional kicks off on April 27th. This program is designed to help you build a career around the work you love.

For the next few days, I’m offering a 20% discount code: CPEARLYBIRD (expires Tuesday April 7th). Full course details and registration can be found here:
https://wegrowmedia.com/become-a-creative-professional/

If you struggle with the following challenges, then this course may be for you:

  • Feel your career has stalled — you want to take things to the next level to find new opportunities.
  • Want to earn more money while working on creative projects full-time.
  • Are looking to build a business that honors your professional, creative, and personal goals, but not burn you out.
  • Seeking insights to better manage your time.
  • Confused by what to charge for your creative work, and how to develop a customer base.
  • Want to learn the reality behind what it means to run a creative business.
  • Looking to establish a structured process for getting your work out into the world.
  • In need of a process to manage feelings of overwhelm, fear, and anxiety around building a creative business.
  • Searching for clarity around your goals, actions, and the path forward.

Over the course of four weeks, we dig into ways for you to:

  • Focus your vision
  • Work smarter
  • Manage your fear
  • Earn revenue from your craft

What’s more, we do this together. One of the things I hear most often from people is that they feel alone while working through these challenges. That changes the moment you sign up for the course.

Each lesson comes with homework assignments focused on producing results. I am there each week with you to provide feedback on your homework, and guide you along the way. The course becomes completely personalized to your goals and challenges.

You also gain access to a private Facebook group where other students in the course, as well as alumni, share their ideas and advice to help ensure you gain momentum. This is where you form relationships with other classmates who are working through the exact same challenges and toward the same goals that you are.

The course is managed not only by my, but by the wonderful teaching assistant Lorraine Watson, who will be moderating the Facebook group conversations, and by Diane Krause, who will ensure that everything runs as smoothly as possible.

Faculty

In other words, this isn’t shovelware, dumping a PDF on you like a bomb, then running away, leaving you alone to figure it all out.

I developed this course material last fall, and ran a beta group of 35+ creative professionals who worked through it. The results were inspiring. We are going back into the material now to ensure that we offer even more value for this next session.

If you have dreamed of earning a living from your craft, please consider checking out this course. The early-bird discount code CPEARLYBIRD expires on Tuesday, April 7th.

Full course details and registration can be found here:
https://wegrowmedia.com/become-a-creative-professional/

Thank you.
-Dan

Becoming a Student of Your Own Creative Process

In this guest post for Writer Unboxed, I explore the value of how we develop the skills to master our own unique creative processes.

“How do you best create? How do you best write, collaborate, increase the quality of your work, improve your ability to focus, or increase the quantity of output?”

“What actions are you taking to build a body of work that is both meaningful, and powered by a sense of momentum?”

“I bring this topic up because I find that many people have blind spots as to why they make the decisions they do. Their creative process becomes mired in bad habits rooted in deep emotions that they are barely aware of. Hours, days, and even years are spent in a state of confusion or frustration regarding how to write better, how to best publish, how to best develop a readership and encourage sales. Each of these, in its own way, is a creative process. Each filled with its own emotional complexity.”

“In working with hundreds of writers and creative professionals, I have seen this play out in countless ways. Often a blockage is only identified as a symptom: “I’m overwhelmed,” or “I’m having writer’s block,” or “I’m just frustrated with all that is asked of me.” While I 100% empathize with these very important emotions, I always want to break them down to understand the root cause. In doing so, we identify assumptions being made, and challenge them in order to find a path forward.”

Read the full post here.

Thanks.
-Dan

My Podcasting Equipment – Update!


Back in 2012, I began exploring podcasting, and purchased some audio equipment that would ensure a high quality listening experience. I shared the list of podcasting equipment I bought in this blog post, which included:

  • Heil PR40 microphone $300
  • Heil shockmount $100
  • Heil boom $100
  • BSW pop filter $60
  • DBX Compressor $85
  • Allen & Heath Mixer $235
  • XLR Cable $10
  • 1/4″ audio cables $10

At the time, I recorded a few podcasts, but gave that up because I didn’t have a driving need to record a show each week. In the past three years, I have used this equipment for other purposes though: recording videos for my courses, Skype chats, and other everyday uses.

Recently, I set the goal of not just writing a book, but doing primary research via interviews with creative professionals. While the goal of these interviews is 100% to get material for the book, I figured it would be nice to share this research as I did it via a podcast.

So I resurrected the WeGrowMedia podcast. You can also see a list of recent episodes here.

For the interviews, I want as many of them as possible to be in-person. The idea here was that I wanted to have as personal a conversation as I could with these people, and in-person seemed like a meaningful way to connect. From a podcasting equipment standpoint, this meant I had to go shopping again!

Here is what I purchased this time around:

Grand total for new equipment: $839. This is in addition to the $900 I spent back in 2012. It should be noted that I am highly tempted to buy an additional Heil PR40 microphone, and am trying to resist temptation. I know I will lose this battle.

Screen Shot 2015-08-21 at 6.15.57 PMClick here to receive my free PDF guide: Podcasting Equipment and Setup Guide

Each interview has a redundant backup recording method. This means that if I somehow mess things up in my primary recording equipment (such as a loose mic cable or I forget to hit a certain button), that I have a backup recording to work from. My biggest fear is having someone donate an hour of time, and have the entire recording be lost. Right now, my backup method is using the camcorder matched with a Rode mic, which I will talk about below.

I should also mention some other expenses and equipment I am using. There are small things such as paying Libsyn to host the podcast files. This is something like $10 per month. I also bought ID3 Editor software for $15.

I am also using other equipment that was purchased previously for other projects:

Here is my son Owen testing out the live recording setup with me:
150206owen 003

And here is the entire mobile podcast studio packed into my backpack:
IMG_1090

Okay, let’s dig into why I purchased each piece of equipment listed above:

Zoom H5 Digital Audio Recorder

My first instinct was to record podcasts directly into my computer. As I did my research, it was pointed out that this could be risky. For instance: if the program quit midway through recording, you would lose everything; or if you were using your computer for your questions & notes, that left open a chance of clicking the wrong button and ending the recording. It felt almost old fashioned to consider buying a machine dedicated to recording, but that is what the pros use.

There are quite a few obvious choices in the $200 range for a dedicated audio recorder, including the Roland R-O5, the Tascam DR-40, and the Zoom H4n.

Any of these would be a wonderful choice for recording audio for your podcast. One feature I definitely wanted was XLR inputs. These are the connections that professional engineers use, and which come standard on many microphones. For $70 more, the Zoom H5 seemed like an incredible deal for the additional features it offered. I actually couldn’t believe that Zoom offered so much on this unit for this price.

So far, I have loved having a dedicated audio recorder – everything on it is so obvious, that when recording a live interview, I have zero fear that I messed something up or accidentally forgot to record.

Rode Podcaster USB Microphone

I bought the Rode Podcaster for virtual interviews I do with people via Skype. These are people who don’t live in the NYC area, so I can’t set up an in-person interview. I have listened to too many podcasts that were done over Skype and they are using horrible microphones, with heavy room echo, where it becomes difficult to hear the speaker. This challenge is worsened when you consider how people often listen to podcast: while commuting in a noisy car/bus/train or working out in a noisy gym.

If the interviewee doesn’t have a decent microphone, I mail this mic to them to use for the interview, and ask that they mail it back to me. That means for every Skype interview, I incur an additional expense of about $20 in postal fees back and forth, but this is a small price to pay for such higher quality.

The Rode is a USB microphone, which means that unlike the Heil mic, it connects directly to a computer via USB, instead of using an XLR cable. It is super easy for an interviewee to receive this, plug it in to their computer, and begin using it immediately.

Canon R500 Camcorder

As I mentioned, I am using the Canon R500 camcorder as a backup method of recording audio. I’ll admit that I’m excited about these interviews, and love the idea of having an archival record of them via video. I don’t have any immediate plans of doing anything with the video footage though. I considered sharing the video of each interview, but to do it right, I know myself: I would want to frame each shot perfectly, get the lighting right, and have a three camera setup (one on me, one on the person I am interview, and an establishing shot of both of us). This would add way too much work to the process, and would be even more to ask of interviewees who are already being so generous with their time.

Case Logic DCB-309 backpack

Can I just tell you how many YouTube videos I watched on camera backpack reviews before finally selecting the Case Logic DCB-309 backpack? DOZENS. I wanted a backpack that did three things:

  • Allowed me to carry my laptop
  • Had a large flexible area to carry my audio gear safely
  • Wasn’t too big — but was just big enough. I have to lug this thing all over NYC in all kinds of weather. I’m going to feel every extra ounce of weight on both 5 degree icy days, and 99 degree humid days.

I have used LowePro bags in the past, but had found their laptop bags to be bulky. This Case Logic bag not only seemed perfect, but was $20-45 cheaper than many comparable alternatives. I am surprised at how many hidden pockets it has, how comfortable it is, and how well it fits my gear. Very happy with this bag.

Conclusion

Did I need to buy all of this equipment? Nope! I could have easily done every interview via Skype, using the built in microphone in my computer. It would have cost me $30 total for the recording software. Why did I choose the expensive route? Because for me, so much of this is about the process of exploring the topics within my book Dabblers vs. Doers, connecting more deeply with the inspirational people I am interviewing, and considering the details of what a high quality experience really means.

 

For more information on Dabblers vs. Doers, and all the behind the scenes stuff I am sharing, click here. You can subscribe to my podcast on iTunes here.

Thanks!
-Dan