How radical focus helps you create and share

So often, when we create and share, we think big. A story that will move a wide range of people. A book that has a large potential audience. An essay that could go viral. A social media post that will get lots of likes.

I’m always talking to writers about how to reach readers. Today I want to discuss the value of not going big, but going small.

Of radical focus.

Limiting your horizons.

Choosing a very narrow path.

And how this can lead to two things that most authors want:

  • To feel a sense of personal fulfillment in what you create and share.
  • To have other people truly care about your work.

This is the opposite of how many think about their own craft, their own potential, or what needs to happen to become known and find success. There is a tendency to expand. To “go big or go home.” Today I want to talk about contracting. Of finding the magic in by focusing.

Our conversation begins with an octopus.

Now perhaps you have seen or heard of the recent documentary on Netflix, “My Octopus Teacher.” It’s a staggering story, but also a ridiculously simple one. Here it is:

  1. A man is overworked, and needs a break.
  2. He returns to his childhood home.
  3. He starts diving in this really small area.
  4. He begins to notice things in the ocean. One day it is an octopus.
  5. He drawn to focus on her more and more.
  6. He decides to return to the water every single day for about a year to visit and observe the octopus.
  7. In the process, he becomes obsessed with what he sees, and learning more about what she does and why.

That’s it. Radical focus.

He focused on a very small area to dive. An area that was at once familiar, but also filled with the unknown. When you limit your focus you begin to notice things that you (and others) may have previously overlooked.

I remember hearing a story once of someone who was given an assignment: go to the edge of a local river and just sit there for two hours. The person did this, and described the first half hour was agony — incredible boredom just sitting there with nothing going on.

But then, after a half an hour, they said the world came alive.

Everything was in constant motion, constant change. He was surrounded by a vibrant array of creatures in this amazingly complex ecosystem. The water, the wind, the plants, the frogs, the birds, the fish were all interacting in different ways.

It was so alive, and the only thing that changes was this person’s ability to stop and see it. To listen.

Pausing to observe — narrowing one’s focus — allowed them to see what they were blind to before.

When the diver became interested in the octopus, he decided to film the experience. He was a documentary filmmaker by trade. But you can almost imagine the impostor’s syndrome screaming in his head to NOT pursue this idea of filming an octopus each day:

  • “Thousands of people are specialists in octopi. I know nothing about them, it would take years to become an expert. What is casual uneducated observation really going to teach me?”
  • “I am filming the ordinary. These are things that people have found in nature for thousands of years. Is there really a story here? Who am I to think I will discover something new in something so well known?”
  • “Why limit myself to this tiny area of the ocean? Why not focus on a bigger issue, a bigger region? Maybe something already symbolic of a cause that people are taking about. This alcove is not any more important than a random place in the ocean, why am I looking for a needle in the haystack here?”
  • “How will I support myself and my family with this obsession?”

But in the small places, that is where the stories are. When we limit our focus, that is when we can grow as humans.

When you look for stories, the world comes alive.

How can you use this idea to help you engage a readership? Two critical ways:

Figuring Out What to Share

When I work with writers, they are sometimes panicked at the idea of not knowing what to share on social media, newsletters, blog posts, and podcasts. They feel that they just don’t have enough ideas or content. They err on the side of caution. “I could post once a week on Twitter.” Or “I could do a quarterly newsletter.”

The result tends to be, well, lame. They barely show up online. They say the most expected things about their writing. Then, they are disappointed when that doesn’t some how magically grow and engage an audience.

But when you focus on the small – very specific areas of what you create and why, that gives you permission to dive deep. You let go of the worry of “what trends should I write about?” That doesn’t matter, because you are writing about your own narrow area. You let go of the worry of what hashtags to use, or the absolute best time of day to post, and so many other “best practices.” Why? Because these best practices often often copies of copies of copies of what everyone else is trying. Too often, they don’t produce results, they just have you jumping through hoops, always looking at the next thing you are told you “have to do” in order to engage an audience.

Bleh!

Focus deeply on what you care about. Then, double down on it. More so than anyone else.

Figuring Out How to Turn Sharing Into Meaningful Connections and Relationships with Readers

This is the area that so many writers have trouble with. They create content online, but then… crickets. They don’t get engagement, they don’t grow a readership. They see it happening for others, and wonder, “Why not me?” The result is often they slink away, slowly posting less and less, worried that they are somehow “doing it wrong.”

The value of narrow focus is that you are no longer trying to engage just anyone. You are focused on the people who care most about the things that you care most about.

With all of this, the ideas above apply: when you are open to stories in a very specific area — you tend to find them. But not only that, you find the connections to other people as well. The result is that you share and connect with greater focus, vigor, frequency, and exploration. You realize that it is fun to share and connect.

What does this look like? Let me give you some examples.

Jarrett Lerner is a children’s book author. But he’s more than that, he is an advocate for literacy, kids books, and mentoring students. Sounds like a lot right? The truth is, Jarrett brings two things that are accessible to all of us:

  1. A clear sense of his mission
  2. Sharing frequently and with generosity

I interviewed Jarret Lerner earlier this year. It’s a really inspiring conversation, I encourage you to check out.

It’s easy to look at Jarrett and think, “Wow! He has thousands followers and he’s really talented as a writer and illustrator.” But he started as we all do: feeling like an outsider who just began sharing what lights him up, and being generous to other authors who may have felt distant from where he was. Now he engages his audience of over 25,000 followers on Twitter. He was clear about his focus, and he dove deep.

Another example is from author & artist Kelli Anderson. I mean, this is actually the first line of her bio: “Kelli Anderson… pushes the limits of ordinary materials by seeking out possibilities hidden in plain view.”

Each day she shares her explorations on Instagram to her 80,000 followers. What you see is someone totally enamored with very specific areas of design. She has this amazing Instagram Live series, where she walks you through an old book about art or design. It’s inspiring to see her pull out this obscure book from 30 or 60 years ago, and then discuss it page by page. It not only gives the book new life, but it allows us to dive deep into a very specific area of focus.

I had the pleasure of interviewing Kelli a couple years back, you can listen to our conversation here.

Jarrett and Kelli illustrate the difference between vanilla, middle of the road sharing, and truly embracing — finding joy — in focusing on a specific niche. Much like the diver observing the octopus, Jarrett and Kelli are each exploring what they are most curious about, and then sharing that with others. It is about radical focus. They are truly committing to their mission and craft, and sharing it with others.

The question it leaves each of us with is: what will you commit yourself to?

I highly recommend watching the My Octopus Teacher to help inspire you. It’s only on Netflix, but you can see the trailer here.

My friend Jennie Nash is writing about My Octopus Teacher today as well. You can find her post here. We challenged each other to write about it, and see how the story would lead to different types of essays.

Thanks.

-Dan

The courageous act of writing and sharing

This past week, a reader emailed me and asked “Dan, I’ve been waiting for your next book. You mentioned it would be published in June, but I haven’t heard anything since then. Are you still going to finish it?”

Now, first I will say that that is every author’s dream, to know that someone is waiting for what you write. Thank you to Bruce for that.

But of course, this kind of email also brings up other feelings,“Oops! I forgot to finishing writing the book.”

It means you can’t just hide in a hole with your creative work.

My next book is a follow up to Be the Gateway: A Practical Guide to Sharing Your Creative Work and Engaging an Audience. It goes even deeper into how you can best create and share your writing, and infuse that into your life in a manner that feels fulfilling.

In truth, I was diligently working towards a June publication date, even as the virus hit in March. But then my calendar got busier and busier. I have been working with more writers this year than any other, which feels incredible as I celebrate the 10-year anniversary of doing this full-time.

It was a dream that became a reality. Thank you all for that.

So I moved the publication date to the Fall, and then when the Fall came, I made the decision to pause working on the book for now. This was not a “no” to the book, but rather a “yes” to goals and responsibilities that are even more important to me at the moment.

As you know, I talk a lot about Clarity Cards as a tool to set priorities in your life. For me, putting the book on hold was saying YES wholeheartedly to the writers I am working with. To devote more energy to the work we are doing together.

Putting the book on hold was also saying YES to my wife and kids. To recognize that they could use even more support as we do school from home and adjust to the reality of 2020.

I have also been committing myself to my newsletter and podcast, showing up to share more case studies, and more interviews with writers and creators who inspire me. Each week, this requires me to create under deadline and to then click “publish.” Doing so feels like living, to feel immersed in that creative process.

For the book, I have 80,000 words written and total focus on what it needs to be. But for now, those words will have to wait while I double-down on what matters even more to me.

In some ways it feels weird to say this, because I love books so much. But I have to honor my own intentions that I set in my Clarity Cards. For me, right now, my top cards are to be present for my family, to best serve the writers I am working with, and to feel alive in the creative process. While the book is important to me, at this moment in time, it simply falls to a lower priority, and that requires hard choices of where I put my energy and time.

That kind of clarity is what fuels my podcast — the idea of someone making a polarizing choice to follow their own intentions. This week I had the privilege of sharing my interview with author Naomi Jackson. She shares an incredible story of doing exactly that.

Naomi JacksonAbout a decade ago, Naomi had been working on her first novel, but couldn’t finish it. She had applied to Iowa Writers’ Workshop three times, but didn’t get in. Then, on her fourth try, they accepted her. Choosing to go would require her to quit her job in New York City and move to Iowa.

It also meant that she would have to give up her six-figure salary. She described it this way:

“I loved that job, but I was writing more and more, and I wanted to finish my novel. I didn’t want to be 90 years old saying ‘I have this debut novel I’ve been working on.’ So at 29, I applied to graduate school at the Iowa Writers’ Workshop. On the morning that I got a $30,000 raise, that evening I received a call from the Iowa Writers Workshop — I had been admitted.”

“I realized there will always be someone to pay me to do a job. I have enough professional experience that I can always come back to [this work] if I like too. And I know this opportunity may not always be here.”

“I quit my job, and I left.”

When I asked what it was like giving notice to her employer, she said:

“They were shocked. I had fought for my promotion and this money. I think most people were shocked, but supportive, and happy to see me go off and pursue my dream. I was doing the opposite of what most people were doing. Most people in their early 30s are solidifying their wealth gains, starting families, whereas I was just giving up all of the stability that I accumulated over the years, in pursuit of what? I could just as easily have gone and not finished my novel, and not published my novel.”

“I got lucky. Yes, [Iowa Writers’ Workshop] is one of the better programs in the country, but there are also many people who I went to school with who haven’t published anything. That’s just the reality of it. There were 25 people in my class, maybe 10 of us have books. Writing is an incredibly difficult thing. But what I know is that I didn’t do something kind of courageous and bold in that moment, I knew I would always regret it. I knew regret was something I couldn’t live with. I could live with disappointment, with failure, with shame. But I couldn’t live with the coulda, woulda, shoulda, if only I was braver, line of thought.”

“Hang out with old people. You will start to see what regret looks like when you are in your 80s and 90s. In a way, my early 20s hanging out with my grandmother helped shift my perspective. My perspective is somewhat of my generation, but also deeply influenced by older people. I think if you spend time with older people, most of them will tell you that they regret the things they didn’t do. The relationships they didn’t have, the jobs they didn’t take, the places they didn’t move to. Those are the things that haunt you.”

Naomi was so intentional about what she wanted, it’s inspiring. She didn’t wait until things were easy or convenient. She pursued her goal and took the risks that would lead her to the life she wanted.

The result was her 2015 novel The Star Side of Bird Hill from Penguin Press. It received starred reviews in Library Journal and Kirkus, and was featured in Oprah, Entertainment Weekly, BBC, and many other places.

When I asked her about finding her agent and the road to publication, she shared this advice:

“It was helpful to be in a community of writers thinking about the same kinds of things. The community of people you meet along the way is really important. You never know where you will end up.

“You only need one person to like you. You want one person who really gets you, and is a champion of your work. You want someone committed to your career.”

“The most fun part of the launch experience was all the opportunities along the way to really connect with readers. The things I thought would be super important, like reviews and press, didn’t turn out to be.”

I think it would be easy for someone to read Naomi’s story and think, “Gosh, she is such a success story. But you know what, I can’t do what she did. It just isn’t as easy for me.”

But Naomi is on a journey, just as each of us are. She talked about her next novel:

“It’s really difficult to be a novelist, because for a long time it looks like you are not doing anything. I started this novel that I’m working on in December of 2011. It’s almost Dec 2020, and I’m not done. Every year I’m like ‘it’s almost finished!” And I’m not finished, clearly.”

If you are struggling to create, to finish, to share, just remember that you are on your own journey. And that this journey isn’t over. You get to choose the path you take, and who joins you along the way.

As Naomi did, be intentional in that process. To commit to the work. To have patience with yourself. To connect with others, and find fulfillment in the process. She went on to describe part of her experience that we often don’t see:

“To be quite frank, it’s been hard to see other novelists who I came out with in 2015 publishing their next novels. The process of constantly talking yourself down from these spirals, is actually part of the work of being a writer. It is so easy to see other people and see what they have and wish it was yours, to beat up on yourself for not being quick enough, or smart enough, or whatever enough. My stepmother is Jamaican, and there is this Jamaican saying of ‘Whatever is for you, can’t be un for you.’ It’s so simple, but I come back to it all the time. It is really just saying that whatever is yours is yours, and whatever is for other people is for them. It really helps me. I’m not someone overcome with envy, but it’s real. Ambition is a healthy thing, and comparison is something human beings do, but it really doesn’t yield much good.”

“I had a severe mental health crisis in 2018 that really took me out from my writing for about 2 years. I just couldn’t write for the first year. It was a really difficult period. I want to say that is not something I was comfortable talking about on social media because I was at first experiencing it, then recovering from it, then figuring out how to move forward with my life afterwards.”

“But I want to say to people who have been slowed down or rerouted by personal mental health crisis, that there is life on the other side of it. In a way, I feel like having that experience of getting really sick, makes me very much appreciate what I have now. Because for a moment, I wasn’t sure if I would have all of those things. Those experiences — peak and valley experiences — all are valuable in terms of shaping the kind of human you become, the kind of writing you can step up to, in terms of making you more courageous.”

You can listen to my entire interview with Naomi here.

Thanks.

-Dan

An Intro to Human-Centered Marketing

I have been assessing what I create and how I can focus my energy to better help writers reach their readers. Looking back on this year, I have shared more than 40 essays on marketing, author platform, and book launches, as well as 35+ interviews with writers and creators. All of it aligns to what I refer to as Human-Centered Marketing — sharing your writing in a way that feels meaningful and fulfilling.

This was also my 10-year anniversary of working full-time with writers every single day. As I reviewed what I have created this year, here are some highlights:

An Introduction to Human-Centered Marketing

Book Marketing Case Studies

Author Platform Advice:

I have also had the absolute pleasure to interview dozens of writers and creators this year as well:

 

You can access all of the interviews here, or just search for “The Creative Shift with Dan Blank” on your favorite podcast player.

My most recent episode features Gigi Pandian. She is the author of 10 books, and shared the the reality of her creative shift to becoming an author. Some highlights:

  • She left her PhD program to enroll in art classes and begin writing her first novel. She concluded: “Because I was finally following my passion, everything fell into place.”
  • She used NaNoWriMo to finish the draft, and it won a competition from Malice Domestic, a mystery book convention. She hoped the book would sell to a publisher quickly, but after a few years, that hadn’t happened.
  • She decided to self-publish the book and it sold well. When I asked why, she said: “It was the community. After I got that initial grant to attend that first mystery convention, I realized how important the community of readers was. I didn’t want to be an author with my head down writing, I wanted to be out there talking to readers. Several years before I was published, I started to attend more mystery conventions. I got to know how that whole world works. I got to know independent booksellers, I got to know avid mystery readers. I was able to get my advanced reader copies into the hands of people who could write reviews.”
  • When she got book deals for two separate series, she took a sabbatical from her job to meet the deadlines. Having the entire day to write, she learned something interesting about her creative process: “It taught me that without any structure of a day job, it is very hard to get things done right away. I wasn’t actually much more productive than I was when working a full time job. I learned that if I have to start work at 12:30 in the afternoon, I will get more writing done that morning leading up to 12:30 than I would if I had the whole day free. I learned the tricks of how I work best. “

You can listen to my entire interview with Gigi here.

Midway through 2020 I wrote how I was in transition, and I concluded:

I am in transition. We are always in transition. And with that comes responsibility and opportunity. To wake up each day and create.

That transition continues.

 

In reviewing what I have been creating, I am also creating a roadmap for the habits I want to develop, the experiences I want to have, and what I want to create moving forward.

If you have any feedback on how I can best help you, and what you would like to see from me, please let me know!

-Dan

Leaving social media

Imagine having 39,000 followers on Instagram, and then saying goodbye to it. Walking away from your profile and thousands of likes and dozens of comments you receive each day.

That is what one artist did this week.

Today I want to revisit the idea of whether you need to be on social media in order to develop your author platform, grow your readership, and have a career as a writer. I will discuss leaving social media, the dangers of social media, whether social media is saturated, and a discussion of what social media does well.

Let’s dig in…

Why Leave Social Media?

The artist I mentioned above is Kelly Rae Roberts. This was her post announcing the decision:

 

She calculated where her time would better be spent and concluded:

“Creating more deep down presence in my life. Creating more art. Creating energetic s p a c e. Creating psychic s p a c e. Creating more TRUST that I can do what I love (my art and my art biz) without feeling tethered to social media.”

This is one of the many aspects of being a writer or creator that I love: you get to choose your path. In what you create, how you create, how you publish, share, and connect.

Kelly Rae is making the decision that is inherently right for her.

But I also don’t rush to the conclusion that “social media isn’t necessary to develop one’s platform and grow a readership.”

Later in her announcement, she shared the ways that you can engage with her and her work outside of social media:

  • MY BLOG! My intention is to show up in that space MUCH more.
  • ART DATES WITH KELLY RAE: My monthly subscription which is loaded with videos and fun!
  • MY NEWSLETTER: I send it out once a week, sometimes twice a week!
  • IN PERSON RETREATS: When it’s safe to gather, I’ll be leading retreats again
  • MARIGOLD & TRUE: My new little shoppe will continue its Instagram/Facebook presence

This is someone deeply committed to engaging with her audience. Each of these things are deeply social. She is not just giving up social media to focus 100% on creating art, she is going to be spending more time engaging in other connection points with readers.

Kelly Rae touches upon a trend that I wrote about a year ago, people returning to blogging.

What I see here is someone doubling-down on connecting with her audience. But doing so in ways that are more closely aligned not just to her own personal needs, but also to what better supports her business.

The five items listed above (blog, newsletter and services) may have fewer overall audience members, but I imagine these people are more likely to be fully engaged with her, and more likely to buy from her.

So that not only makes good business sense, I’ll bet it’s fulfilling too — to see people not just clicking “like” on a post, but engaging directly with your art and what you teach.

In marketing there is a concept called “the marketing funnel,” which is a metaphor for how someone goes from first learning about what you create to buying it, and then creating word-of-mouth marketing for it.

The items Kelly Rae listed above are all much further down the marketing funnel. Even though this may not be the reason she is leaving Instagram and Facebook, one outcome may be that by making these the only way to engage with her, she could create more customers for her work. Why? Her decision to not show up where you may expect — Instagram and Facebook — means that people may have to make a bigger commitment to be a part of the channels where she does.

So if you are reading this and jumping for joy saying “Ah ha! I knew it! I knew I didn’t have to bother with social media in order to build my author platform!”, then consider how else you will be able to connect with colleagues and readers.

Kelly Rae’s first post on Instagram was 2011. Since then she shared 6,231 images on her main feed, plus countless images/videos in Instagram Stories.She has spent years dedicated to building her audience.

Something I am seeing here is an artist evolving how she shares and connects. That is a process that began long ago, and will continue to evolve long into the future.

There is also value in making a bold statement as she is — a sudden abandonment of social media channels that you are known for gets a lot of attention. There are many comments on her announcement of how brave and authentic people feel this decision is, which reinforces why they follow her to begin with.

If she ever chooses to return to Instagram and Facebook, she would likely have a similar announcement that would re-engage her audience in new ways.

As I was looking at Kelly Rae’s feed this week, I wished I had more time to do a full case study about her career. Sadly, I don’t have that time right now. But I can say it was more than just a decision to be on social media or not.

I saw a post like this one from 2013 where she was collaborating with Brené Brown and Oprah, and wondered what lead to it, and what happened from there:

 

After a lot of scrolling, I finally made it to the bottom of Kelly Rae’s Instagram feed, and found what I always do. Someone starting off with a tiny audience. Her first post from 2011 had 6 likes. Her 4th post had 2 likes. Her 6th post had 1 like. Day by day, year by year, she kept posting. Slowly, that audience developed.

 

Kelly Rae put in the work. She shared often and deeply. To me, her pivot now away from social media to other channels is actually a new commitment on engaging with her audience.

The Social Dilemma

Lots of people have asked me recently if I saw the new documentary on Netflix called The Social Dilemma.

It featured interviews with technology insiders about the dangers of social media, mixed with dramatic recreations of how social media negatively affects our daily lives. It’s a compelling documentary, presenting the case for how social media manipulates us in ways that are exponentially more dangerous than anything that has come before.

It’s the type of documentary that can open your eyes to the bigger machine behind something that seems simple. I remember seeing documentaries about the food industry that had a similar effect.

I said this above, and I think it is worth repeating here. What I appreciate about social media is that we each get to choose if and how we engage with it.

Twice I have interviewed artist Marc Johns who doesn’t carry a smartphone. When I saw he joined Instagram and amassed 36,000 followers, I asked how he did that without a smartphone. He described how he bought an older iPod Touch and only connects it to wi-fi when he posts and image. It then gets shut down.

In other words, he has made an intentional choice about where he puts his creative energy. And only you can decide how to do that for yourself.

Is Social Media Saturated?

I recently recorded an interview as the guest on the podcast Fix Yourself with Shannon Connery, PhD. That episode is not yet published, but I wanted to share one item we discussed: is social media saturated?

I imagine she asked me this because it is easy for someone to feel overwhelmed by the firehose of content that comes out of our feeds. It’s easy to feel as though there are so many voices yelling for attention, that yours may not matter.

I shared two answers to her, both concluding that social media is not saturated. The first is that this is not a zero sum game. Just as in life, there is room for everyone’s voice. I think I gave an example of how, even though my small town has 5 pizza places, if a new one opened, it would still get adoring customers.

In some ways, every market could be considered “saturated” because there are so many options. But we each get to choose where we put our attention, and who we engage with. And in that manner, it can’t be saturated.

Just because there are billions of “friends” in the world, that doesn’t diminish the value that your best friend has in your life. I think the real question becomes, how do you use social media in a manner that is meaningful to you.

The second answer I gave her is that social media offers opportunities to people who may have few others. I talked about the young writer or artist who was just starting out, and perhaps felt misunderstood at home. Perhaps their family didn’t appreciate their art. Maybe no one else in their community did either. They felt they had no way to advance their craft or connect with like-minded creators where they live.

In that situation, social media offers an opportunity to feel understood. To create and share. To connect with people who share your appreciation for writing and art. As I said, this isn’t a zero sum game, there is room for every new voice. That always inspires me.

Do You Need Social Media? Nope.

Last year I wrote an essay asking if you truly needed social media in order to grow an online author platform? The easy answer was: no.

But I then outlined all of other options, and how much work they are. Social media is not the only answer for how to grow your platform and connect with readers. In 2017 I wrote a similar piece with different examples. You can read both of them here:

This week I had several conversations with people about what social media does well that are difficult — if not impossible — to recreate. Some of what we discussed is how social media provides:

  • A sense of spontaneity. To be surprised by something you see, to find yourself engaged with it, to immediately comment back to the author, and share with a friend.
  • A sense of authenticity of feeling as though you are in the moment with someone you follow, or sharing that for yourself. That is different in other channels: blogs, newsletters, online courses, and events where the content may be more pre-planned and published long after it was created.
  • An easy way to share interests that reflect who you are in an informal manner. So much of what we share is what we experience each day, be it our pets, our home life, what we see, or what we feel. That often creates unexpected opportunities because one may never realize how much their cat can become a powerful part of their author platform. Also, many people are skeptical of marketing that always feels pre-planned. The informality of social media is why it has reshaped how much of marketing happens.
  • An immediacy and scalability where something can quickly get engagement, immediately spread, and give you a real-time sense as to what engages people.
  • Access to people would you otherwise not have. This works in terms of being able to engage with those who inspire you — perhaps that is well-known authors. But it also means that you can engage with readers, something that authors rarely had the chance to do before social media.

Nothing Happens if You Are on the Sidelines

I want to end with a powerful conversation that I had this week with author Elizabeth Bailey. We were discussing the connection between her previous career in film and as a music video director, with her current work as an author and patient advocate.

She had just finished reading my book, Be the Gateway, and was explaining how it helped demystify how she can live her mission as a writer and engage online. She explained it this way:

“The process is figuring out a life to lead, not a platform to have. You are not your author platform. You are only authentic if you are pursuing what is meaningful to you and making a difference to other people. Be the Gateway shows how this happens beyond your book itself.”

She went on:

“You have to start living your life to make something happen — you have to create. “

She talked about how this is what she used do in the 1980s and 1990s when she directed music videos. Here she is while working on a video for Keith Richards:

 

This is a photo of her with Lady Miss Kier when they were making the Deee-Lite video for “Groove is in the Heart.”

 

Here she is on a film set in New York City:

 

She described how the process of film was to be fully engaged. She said, “nothing happens if you are on the sidelines.”

Back then, the creative work happened in the streets. Today that happens online. It provides the immediacy of living in a similar way.

Whether or not you use social media — how you use social media — is entirely up to you. I simply want to encourage you to consider that question with intention. And if you choose to engage, consider how you can do so in ways that feel authentic to who you are, and can engage others in meaningful ways.

Thanks!

-Dan

Is anyone listening?

I speak to a lot of writers and creators, and I often hear them talk about how difficult it is to get people’s attention. Sometimes this applies to a book launch, and other times to subscribers, followers, and events.

With so much going on in the world, it is easy to consider what you create and share and think, “Is anyone listening?”

That can be demotivating. It can cause you to create less. To share less.

Well, today, I would like to make a compelling case for you to create more. To share more. To engage with more people. Right now is the golden age for you to share your voice and have meaningful and fulfilling experiences with others around your writing. Let’s dig in…

I want to frame this all with one clear example, featuring authors John and Hank Green.

Each are novelists, but they are also known for their extensive work online. In 2007 they started a YouTube channel called Vlogbrothers that has driven much of their work.

Earlier this week, John shared a video called “The Golden Age of Vlogbrothers,” and he considered the question of popularity vs personal fulfillment.

He explains it this way: “For several years, almost every video we made ended up on the Trending page of YouTube.”

That no longer happens. John and Hank continue making their videos each week, but their success with video is no longer “news” and “trending.” Many others have taken that spotlight, as have creators on other platforms such as TikTok.

John and Hank have more than 3 million subscribers on YouTube, an astounding number. But their growth has slowed, and many other newer creators have zoomed past this subscriber number: 5, 10, 20+ million subscribers.

In reflecting on what he considers the golden age of their channel, John recognizes the value of metrics like these, but he’s not beholden to them. He describes how it feels good to see your numbers of subscribers grow, and that when you are trending, it introduces a lot of new people to to your work.

But he says: “What is easy to measure is not always what is important.”

Early in their career on YouTube, John got sick and Hank asked their viewers to cheer him up by sending in photos of themselves with something on their heads. John describes how at the time, their videos got around 300 views each, and about 200 people sent in photos. This is back before smartphones, when sending a photo on the internet was not easy.

John had an amazing conclusion as he reflected on this: “Over half our viewers participated in a community project. That is when I realized we weren’t making videos for an audience, we were making videos with an audience.”

That insight alone can make you reconsider what it means to promote your book. To try to gain subscribers to your newsletter. To try to grow your engagement on social media. To create an amazing Zoom event for your book launch.

You are not doing these “to” an audience, you are doing them “with” other people. If you have read my work for any length of time, you may know I have this phrase of Human-Centered Marketing to describe how I encourage you to find success and fulfillment with how you share what you create. The entire idea is that each individual person matters, and that you are not selling something to them, but engaging with them.

I love how John describes his insight and their experience with this.

He continues on to make another important point: “A couple years ago, we stopped trying to maximize views on the YouTube channel.”

What does that mean? That they stopped creating titles to their videos and thumbnails meant to entice people to click. What does that look like? Well, here are some video names and thumbnails from an immensely popular creator, David Dobrik. Everything is meant to entice you to click with something surprising:

 

And here are some of John and Hank’s recent videos, where all of the titles are (inexplicably) lines from a 1999 song from the band Smash Mouth:

 

At the height of their popularity, John describes the downsides as well: “We had to live with a constant influx of really vile comments [on YouTube], which decreased the sense of community and connectedness for me. I started to feel like even though our viewership was growing really fast, our community was actually shrinking.”

Which leads me back to what John considers their golden age:

“For me, the golden age is now. I’ve needed this space in 2020, more than ever.”

That is another huge insight. If you worry that the world is so full of noise, so busy, so filled with important things being discussed that there may be no room for people to engage with you and what you create, then consider what John says.

When things are crowded and noisy and complex, that is exactly when people want true engagement with other people. Smaller spaces to come together. To listen. To create. To share. To collaborate. To connect with other people in meaningful ways.

John and Hank have many ways that they engage with their community, and charity work is a cornerstone of what they do. Reflecting on the distinction between growth and popularity vs engaging his core audience, John summed it up this way:

“We have raised more money for charity in the last 12 months than any other year, by over a million dollars.”

If you worry whether anyone is listening — if you feel like your voice may not have a place in the world — I want to encourage you to consider sharing it anyway. To create more. To share more. To connect with people one at a time. Amazing things can happen. Not the least of which is the sense of personal fulfillment and connection to other people who inspire you.

Recently I shared my Clarity Card process in my newsletter, a simple system to prioritize what matters most in what you create and where you spend your energy. I consider this an essential part of marketing because it focuses on creating experiences and moments that truly matter. If you want to know where to start, that is a good place.

Thanks.

-Dan